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Nice find!!! That was my first ever "real" bass amp, and I still have it to this day... I dragged it all around Penn State for years then used it in my first real band in Pittsburgh playing Sublime style reggae rock. I still use it for low volume basement jamming, sounds really good on guitar or bass with a drive pedal in front of it.
If it didnt weigh so damn much I would have got a 4 ohm extension cab and just ran with it for years... had to go modular though for our local gig staircases.
Crazy how those come loaded with a 4 ohm Black Widow 15", with the option of adding another 4 ohm BW to get the full power. I bet it could be a contender with the full rig.
The plan is to run a SAnsAmp BDDI into the power amp at this point.
oOnly issue is a dicey High Gain Input jack.
Got a solder rifle?
so for a quad the easiest is to lead with your right hand, and do 3 notes on your left hand, all on one string. i have a lot tricks for these so let me know if thats what youre trying to do.
cant remember that player code
real ruff track w whole band
https://soundcloud.com/ampegfuzz/riff-out
Look at that, it's beer o'clock!
Anyone tried one of those line 6 m9 or 13 boards? Saw a video online that has me curious.
Day 1 of recording the new album today! We've decided to do things a little differently than before. We're going to record the drums live off the floor with everyone playing along with no click track. Then we'll go back and track bass and guitars after. The hope is that it will still have a live feel with slight tempo swings and a little mic bleed along with the precision that comes with tracking stuff separately. We'll see what we get this weekend and decide if this approach is going to work or not.
This group tolerates pretty much everything....but I think line 6 is where we draw the line
In all seriousness I tried one out once (m6) and it sounded ok but not enough to make me rethink my rig.
.Day 1 of recording the new album today! We've decided to do things a little differently than before. We're going to record the drums live off the floor with everyone playing along with no click track. Then we'll go back and track bass and guitars after. The hope is that it will still have a live feel with slight tempo swings and a little mic bleed along with the precision that comes with tracking stuff separately. We'll see what we get this weekend and decide if this approach is going to work or not.
Lonely in here today.
Lonely in here today.