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I have a MIA Sterling that was for sale on here. I also have listed it on Craigslist for $725 and Ebay for $775. I just can't seem to move it even though it's a rare color (Burnt Apple), is in great condition, has an OHSC, tons of upgrades, a bunch of extras and all the original parts too. I don't know if its just because its a lined fretless model and peeps are scared of it or if it's just that nobody has any money - but I'm kinda baffled about why it isn't selling. That's a pretty low price even compared with all the others of the same spec.
Anyway, I imagine that if the market is that bad for a MIA Sterling, a low end replica for $500 is an even tougher sell.
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I wonder if these will be comparable in quality to a G&L Tribute.
If so, where do I sign?![]()
It's sort of like cannibalizing the brand, taking all the things they teach you in business school (dilution=bad) and throwing it out the window. Then again, they're giving their audience lots and lots of credit, which I appreciate, but I think they're thinking the wrong audience.
UNLESS they intend for these to be used as backups by gigging pros rather than mid-level entry instruments?
+1I'm a fan of EB/MM quality and their Bongo line, but it seems to be a bad idea to start splitting the name between a great bass and a new line of S.U.B.-esque instruments. I think to the "kids", the starting players who walk into a Guitar Center and ask for them to take "that Sterling" of from high atop the wall, it will be confusing why one Sterling is $500 (?) and this other Sterling is $1,700... especially to their parents who will be paying, and who like *do* have more than half of a brain but simply aren't bass players and don't know between brands.
S by MM: Ax20 is equvalent to the EBMM Axis model
S by MM: lJP50 is equivalent to the EBMM J. Petrucci model
S by MM: Silo20 is equivalent to the EBMM Silouhette model
S by MM: Ray34 is equivalent to the EBMM Stingray 4 model
S by MM: Ray35 is equivalent to the EBMM Stingray 5 model
S by MM: SB14 is equivalent to the EBMM Sterling 4 model
Oh yeah, what's the deal with the "Pace Family". Sterling Ball said they build guitars for several companies. I wonder who?
How would it have been any less good when olp were still making basses?Does this mean my genuine USA made Stingray is now seen as the ultimate* top of the line EBMM? Woohoo!
*with the exception of the Family Reserve![]()
I have a SUB and yeah the paint job is a bit weird, and there are no body contours, but it uses the same electronics and pickups as a ray, and i **** you not, sonically, there's absolutely no difference between that and a 2 band ray. They're exceptionally well made too, because obviously they're made in the same factory as the ray.I like it.
Marketing wise S.U.B. said 'sub' standard to me especially with that 2nd rate paint job - this is just the impression I got from their looks- I'm sure they were decent instruments - I never actually played one. OLP seemed like a cheap knock off like some sort of SX or something - again I've no 1st hand experience with the instrument. Now that it actually has the Musicman name on it I get the impression that it will be higher quality.
Again this is a purely subjective impression I get from whats on the headstock.