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Steve Harris strings

I had a set of these strings in my stash for years, but never put them on a bass. I wasn't really worried about the high tension or the stiffness. I like stiff strings - especially on a bass that I play with a pick. The high tension - and it is very high - of the Steve Harris flats didn't bother me, either. It would take a lot more tension than that to bother the aluminum T-beam neck on my '78 Kramer 450B. The reason I never used them? The silk colors... He's a life-long fan of the West Ham United FA football club, and the silks are in West Ham's colors. As a life-long fan of another FA club - West Bromwich Albion - I cannot bring myself to have a rival club's colors on my bass. So, when a friend expressed an interest in the SH77s, he got a free set, and the Kramer wears a set of Optima 4099RL Chrome flats...:whistle:
 
Mr Friedland discusses the Rotosound Steve Harris strings at 4:30.
A source of the highest credibility says "a big neck equals big tone", beginning at 5:07.
I learned this from my Fender American Pro J (as I never get tired of telling you, sorry). Fixed it with an Allparts PMO.

As he said, it would be advisable to have a thick neck (profile) if you intend to try these strings.

Thanks @Phaidrus!
 
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A source of the highest credibility says "a big neck equals big tone", beginning at 5:07.
I learned this from my Fender American Pro J (as I never get tired of telling you, sorry). Fixed it with an Allparts PMO.

As he said, it would be advisable to have a thick neck (profile) if you intend to try these strings.

Thanks @Phaidrus!

Ah. Good to know. I have a Nate Mendel P Bass, which has a slightly smaller neck than normal P basses
 
I've used the La Bella 1954s 52-110.
I had a sponge rubber mute with them for a while.
Took it out and was surprised how brite they could be. The same strings Bobby Watson used on MJ's Rock with You.
:)
I don't know if this is true of all brands of flats, but certainly with LaBellas, I think a lot of people don't realize that the lighter gauges are the thumpy ones and the heavy gauges have quite a lot of brightness and sustain.
 
probably more tension than most people want nowadays for standard tuning, but a dream for someone wanting flats in D standard, or maybe even C standard.

The Roto 77 50-110 tuned down to DGCF are 200.44 lbs. in total tension, which is still healthy but at least a little more manageable.

I have no info on their tension in C-standard, but probably doable.
 
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I have used them and as noted above, they are very stiff, high tension strings, but I like my strings, especially my flats that way. The closest comparison would be the La Bella Jameson flats in terms of how they play and feel. The biggest difference between the Harris and Jamerson strings is that the Jamerson's are thumpier and darker (more old school R&B) while the Harris's brighter and have more attack (more of a rock string - different winding material). They are both great options if you're up for them.
 
Interesting that the Markbass Vintage 50-70-90-110 flatwound set is just 200.64 lbs. Haven't tried them but I'd like to some day, when my romance with the Dunlops is over.

G .050 -- 50.71 lbs
D .070 -- 55.12 lbs
A .090 -- 50.71 lbs
E .110 -- 44.10 lbs
 
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