If you play out you should have at least 2 basses.
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View attachment 2934429 In the early 90s I went from a 4-string Yamaha BB3000 to a Stingray 5. I had wanted to try a 5 for the contemporary music I was playing and the Stingray 5 looked pretty sweet. I played one at a music store and found the width and shape of the neck pretty easy to play coming from the jazz style neck of the Yamaha so I ordered one (translucent teal, rosewood neck). After I got it I played it on every gig up to the mid 2000s (when I finally got my hands on a Steinberger XL2 which was a 4 string).
Like most players who move to a 5 I had to adjust my technique but it became natural to me (on all styles of music I played - pop, rock, country rock etc). I'm still pretty awful and trying to slap a five lol.
After moving back to the 4 I decided I liked the feel of a 4 better however that low B can come in REAL handy if you are playing certain types of music.
I still like 5s (and still have the Stingray 5) and my other main bass (besides the XL2) is a P bass with a jazz neck.
I really dig the latest EBM Stingray 5 (those colors) but If I was going for a 5 these days I'd prob go with something less distinctive than the MM.
NB: I replaced the black pick guard with a custom pearled one.
Since a I have done it a few times, a I can attest to the fact that the biggest mistake bassists make regarding gear is getting rid of something they know and like for the shiny thing that seems so cool. You can slap on an SR5, I know I have, and I am barely average at slapping (no triplets and very little double thumbing.) save up for a nice four like a Sire V7 or a Mexican Jazz. The Sterling four that was mentioned is a great budget bass as well.
Oh my, your SR5 five is gorgeous! I now have three fives, and need another one about like I need a bladder infection, but you Stingray gives me some wicked GAS!
I'd keep the Stingray 5 and save up my loonies for an inexpensive Jazz.
Those SUBs are really good, talk about bangs for buck. I got one to practice on, save my EBMM for gigs and lordy it is a mean machine. Can't think of another budget bass anywhere near it. Build quality is way above the price level.Keep the 5er and buy a brand new Sterling Sub 4 string. I just bought a SUB 5er and man talk about bang for buck. And I like that it has a somewhat less harsh MM tone. I got the 5er, gig bag and a cord for $319. (Mint Green)
Hey thanks! This is a 94 model I believe - I owned it since new
Here are some more pics:View attachment 2934485View attachment 2934486View attachment 2934487
You take great care of it, it looks new!
Anything lower that D sounds bad anyway.
That 5th string and extra hardware and weight all for only 5 extra notes. Ain't worth it. Dump it.
View attachment 2934196
This..... assuming "loonies" means money.
If it means bullets or pizza crusts or empty dog food cans then no.
For more than 50 years gigging here in Oz I have owned a lot of different basses...4001 Ric, 4003 Ric, a shortscale Gibson EB3, Fender Precision, Maton fretless, and a few MIJ copies. I regret selling each and every one of them, which is why these days I refuse to part with the 7 different brand basses I have now. If I had the chance to live my life over again I would still have the above mentioned basses in my collection. I think a lot about those that I have sold or traded in for another guitar, and wish I still had them with me now that they are gone. Regret is a horrible thing as it is one of the few things that does actually stay with you.Since a I have done it a few times, a I can attest to the fact that the biggest mistake bassists make regarding gear is getting rid of something they know and like for the shiny thing that seems so cool. You can slap on an SR5, I know I have, and I am barely average at slapping (no triplets and very little double thumbing.) save up for a nice four like a Sire V7 or a Mexican Jazz. The Sterling four that was mentioned is a great budget bass as well.