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Hello!
This actually reminds me, how are you folks with music theory? I don't use it as a measure of how good anyone is, it's just I would say the guy who plays guitar in my band is the main creative force and has learnt pretty much entirely by ear and can't explain how he does things, but he does them well in my opinion. I'd like to come up with more ideas but it doesn't come so easy so spend time working on scales, arpeggios etc. as well as transcription.
I hear a lot of great riffs from you guys, would be interested to know if this is based on a lot of theory or not.
This might not make a whole lot of sense...
*EDIT* I should probably point out that I meant the discussion around being a bad player, not singling you out dude![]()
and I would've held it for ya, homie!
Anyone here own a Korg Pitch Black tuner they want to get rid of?
Anyone here own a Korg Pitch Black tuner they want to get rid of?
I've hated all of Rob Zombies movies. I hated what he did with the Halloween movies, Myers is much more terrifying as an unexplained demon than a product of a broken/abusive household. I'll end up watching lords of salem eventually, but I won't pay to watch it.
Anyone here own a Korg Pitch Black tuner they want to get rid of?
LOL so a subdivision of Vice is doing a series on heavy music called Heavy Dicks. First episode? Wine and cough syrup tasting with Dixie Dave Collins: Invalid Link Removed
I could use some feedback from you all. I'm getting close to being done with the building portion of my p-bass project and I'm trying to decide how to finish it. It's a one piece pine body, maple board on the neck, standard vintage style Fender hardware, black/white/black pickguard:
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Right now I'm waffling on whether to give it a transparent or solid finish. If I go solid I'll probably just do spray lacquer, black or white. If I go transparent I was thinking of doing something amber/vintage yellow style. My dad is pretty good with finishing things, he used to be a furniture maker before he started building windows, so I've been talking over a bunch of different ways I could do the transparent finish. Right now I'm thinking I would probably lay down a sanding sealer, then a wash coat with a little bit of yellow dye, then some amber/blonde shellac and maybe a clear coat over that.
I'm not that experienced with spray finishes, so anything I do I'm going to do some experiments on some scrap pine first. Any ideas/feedback are welcome.
I could use some feedback from you all. I'm getting close to being done with the building portion of my p-bass project and I'm trying to decide how to finish it. It's a one piece pine body, maple board on the neck, standard vintage style Fender hardware, black/white/black pickguard:
Right now I'm waffling on whether to give it a transparent or solid finish. If I go solid I'll probably just do spray lacquer, black or white. If I go transparent I was thinking of doing something amber/vintage yellow style. My dad is pretty good with finishing things, he used to be a furniture maker before he started building windows, so I've been talking over a bunch of different ways I could do the transparent finish. Right now I'm thinking I would probably lay down a sanding sealer, then a wash coat with a little bit of yellow dye, then some amber/blonde shellac and maybe a clear coat over that.
I'm not that experienced with spray finishes, so anything I do I'm going to do some experiments on some scrap pine first. Any ideas/feedback are welcome.
Hahaha nice. Yeah, that phaser is pretty decent. When I sent it to him, I printed out a pic of a star trek phaser and wrote, "Set this phaser to kill" hhaha
I didn't like Devils Rejects. I train people to fight for a living, but I don't like fvcked up violence.
I don't get the artistic value - IT's not difficult to be shocking.
There is one for $45 plus shipping at GC
http://used.guitarcenter.com/usedgear/index.cfm
My Boss TU-2 still works ok. I've complained about the tracking not being so great in the past, but just thought I was being picky. One of my guitarists plugged into it when we were in the studio and agreed that the tracking is all over the place. Both my guitarists used Korg Pitch Blacks so I figure it couldn't hurt if we were all using the same tuner. Plus the Korg is more accurate which would help for setting intonation, as I don't have a real strobe tuner and don't plan on buying one just for doing intonation once a year.
I have something of a good working knowledge of theory. Was a music major in college before switching to history.
I use it pretty heavily in writing riffs, and especially in writing clean vocal harmony parts for my black metal band.
I've always found the anti-intellectualism of many in rock and metal music to be irritating.
Cannibal Holocaust and Last House On The Left fit the "shocking" bill nicely.