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Wow, that is a very interesting bass. Do you have sound clips of it?These basses are freaks, crude if not questionable work... But great if you like that big, boomy feel it in your gut sound. In a blindfold test the one I have Invalid Link Removed reminds me most of the Prescott I have. No I'm not saying it's a Prescott!
I think its wise (just like the Prescott) that the ff's are left connected for top stability. Massive deep ribs, paper thin tops, one way to get that sound with a big pattern.
Gary
Michael Case said:Wow, that is a very interesting bass. Do you have sound clips of it?
Well, I guess I have my camera work cut out for me on Tuesday.![]()
No - not accurate. I bought what I called "The Gullwing" from Wayne Holmes a few years ago (for @$3K) and sold it about a a year or two later to a dealer in the midwest (not Upton). They're big basses, fun for a while, but a bit crude as Eric has said - and - at least in my case, instruments that need a lot of TLC.
The one that Wayne Holmes is restoring now is a Swanson that needed two sound posts to keep the top up. I don't know anything about the one Eric has at Upton, but I can tell you this: one of the factors in selling the Swanson, was that I could get a bigger sound out of my (then brand new) Upton Karr Hybrid than I could (sadly) out of the Gullwing.
It's a fascinating footnote in terms of bassmakers etc; but not a bass I'd want to live with everyday.
I hope that helps.
Louis
I have to wonder if that is a bass that was truly handmade by him, or a German shop bass that he worked on?