Leading a double-life (also living in the Tele B-bender world) I've always been baffled by some bass equipment values (especially amps) compared to 6-string items. It seems like first-iteration, revolutionary (for the time) bass amps are reallly undervaued and great buys, while similar 6-string gadget prices go through the roof.
The SWR PB-200 is a prime example. It's still a practical, light, great sounding bass amp for smaller rooms (or larger ones just tapping the direct-inject signal into the board), was the first amp Steve Rabe made under th SWR badge - yet they seem to sell for under $200. Yet find a Mesa Boogie first-generation amp and you'll trade your car for it. And I don't think I've ever read a bad comment about the PB-200 anywhere (you couldn't pry mine out of my hands - I've been through a ton of rack gear and misc. amps over the years but my two "keepers" have always been my PB-200 and original Baby Blue).
Side benefit - it makes one hell of a pedal steel amp with the right cab!
It's puzzling. I'll venture a guess that a higher percentage of bass players focus on newer equipment, while 6-stringers are thinking "vintage" - I just know the PB-200 prices amaze me (and for anyone who's never played one or the slightly-newer Studio 220, just buy one and "listen" - you won't be sorry).
I just missed a PB-200 yeserday on fleabay - I would have bought it and run two in stereo. Heck, you could run 3 into a 1x15, 2x10 and 1x12 cabinet each and have a heck of a tri-amp setup for peanuts - the CAINETS would cost more than the heads!
The SWR PB-200 is a prime example. It's still a practical, light, great sounding bass amp for smaller rooms (or larger ones just tapping the direct-inject signal into the board), was the first amp Steve Rabe made under th SWR badge - yet they seem to sell for under $200. Yet find a Mesa Boogie first-generation amp and you'll trade your car for it. And I don't think I've ever read a bad comment about the PB-200 anywhere (you couldn't pry mine out of my hands - I've been through a ton of rack gear and misc. amps over the years but my two "keepers" have always been my PB-200 and original Baby Blue).
Side benefit - it makes one hell of a pedal steel amp with the right cab!
It's puzzling. I'll venture a guess that a higher percentage of bass players focus on newer equipment, while 6-stringers are thinking "vintage" - I just know the PB-200 prices amaze me (and for anyone who's never played one or the slightly-newer Studio 220, just buy one and "listen" - you won't be sorry).
I just missed a PB-200 yeserday on fleabay - I would have bought it and run two in stereo. Heck, you could run 3 into a 1x15, 2x10 and 1x12 cabinet each and have a heck of a tri-amp setup for peanuts - the CAINETS would cost more than the heads!
) the PB-200 is still a decent amp.