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Our personal physics is always the main consideration. Hope you recover beyond your doc's expectations.
My last GAS attack was a passive AmstdJ5. Simple ... no frills ... so far I like the sound of 60s custom shop. To my ears very close to original j4 sound. But I've gotta have both pups at or near 100% to avoid the hum.I miss the set and forget aspect of a passive Jazz Bass. Once I finally pick up my Geddy Lee, at least I will have a passive four, you were right about me regretting selling that bass. At least the guy who bought it really loves it.
I am looking at any immediate purchases now. I don't see that much spare income for a long time.
Play what I have ... yep. That's sage advice, especially as my house is now under contract and I'm looking for a new one...last thing I need is MORE musical gear to move.![]()
I just loaned a bass and practice amp to a friend who wants to learn and told them to hold onto it until I'm actually moving...and if they stay with the instrument they can keep the amp as a gift!
I just found the receipt for my Sadowsky, Feb 2017.
I know I'm swimming against the tide here, but that's the date I stopped looking.
Dr. Cheese, great thread here. I think that contentment is wildly underrated. Important to keep perspective while we wrestle w/GAS. As others have said.... "Many play better than me, but none have more fun". I aspire to this. Thanks man
I can't say anything with 10 basses, even though many of them are fine specimens of cheapos. Got half that are good ones as well but almost none that I shelled out a crazy amount, even for the years I bought them. But on the vast majority of gigs I do I bring one, and I bring it under protestCould I sell them all but one solid Fender and be fine? No, because sometimes I need a 5. Could I be OK with a Fender and a 5? Probably. Don't want to, though. Why should I? No need to go nuts, but if you have a handful of solid basses, nothing wrong with that.
As am you, Doc.You are an artist with a useful array of tools.
As am you, Doc.
Sounds like your wife got hold of the gear money lolI too, am at that stage in life where I have the few basses, and guitars (all acoustics) that I am quite content with. I still go to SA and GC to play around with what they have, but nothing is going to be coming home with me, It is, literally, "Come In And Play!" SA's slogan. I'm even done in the amps & cabs world. Thrilled with what I've got, these days - Tone Hammer 500 with two custom LDS cabs, and a Markbass Minimark.
My money (what's left of it) has, in the past several years, been going into antique lighting (Bradley & Hubbard, and generic pieces), Arts & Crafts furniture (primarily, Gustav Stickley), and art from regional art shows or shops such as The Roycrofters Gift Shop where we recently bought a Yoshiko Yamamoto block print (no relation to Tsuneyuki Yamamoto, that I know of, who makes fabulous acoustic guitars; I own two of his guitars).
I feel pretty much the same, although since I play in the shallow end of the pool (my SG Special is the most expensive thing I've bought, I think everything else is under $500) it's not as much of a cash crunch as a space crunch. I now find myself avoiding Craigslist, Guitar Center, etc. Think I'm going to look over my collection and sell or give away some stuff. GAS burnout I guess. Or maybe just getting harder to avoid admitting that I have a stupid amount of my net worth and net space tied up in guitars and basses.I miss the set and forget aspect of a passive Jazz Bass. Once I finally pick up my Geddy Lee, at least I will have a passive four, you were right about me regretting selling that bass. At least the guy who bought it really loves it.
I am looking at any immediate purchases now. I don't see that much spare income for a long time.