I forgot to mention the neck stability. Most stable wooden necks I've ever owned
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I found the edges on the bound fingerboard to be sharp. I actually sanded mine down a little
The unbound necks feel fine
I forget what's special about those - are they the ones with 2 "dual J" humbuckers?
Ah sorry, that's me, my bad. Been 10+ years, forgot the specifics. R5L it is.And 19mm string spacing on a totally different neck. Also 3-position coil tap switches with V/V/T pots.
The regular 5-string model has been referred to incorrectly in this thread as the "5XL". It is R5L or Rumblefish 5L. There is a Rumblefish XL (RXL) which is a 4-string PJ.
And 19mm string spacing on a totally different neck. Also 3-position coil tap switches with V/V/T pots.
The regular 5-string model has been referred to incorrectly in this thread as the "5XL". It is R5L or Rumblefish 5L. There is a Rumblefish XL (RXL) which is a 4-string PJ.
Looks almost just like my 5ers. I guess I thought "XL" because it's 35" scale, thought it was a reference to that. Anway, I stand corrected and informed.Not to add to the confusion, but the original Rumblefish XL was a JJ. The earliest XL's still had the thinner body and the skunk-stripe neck. The PJ version came later.
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Not to add to the confusion, but the original Rumblefish XL was a JJ. The earliest XL's still had the thinner body and the skunk-stripe neck. The PJ version came later.
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I've noticed that the latest versions of the Decision and Justice basses seem to have the "natural" wood headstock, as opposed to the first Decision and Justice basses they made, where the head stock was black. That's just a cosmetic thing... but does anyone know how these newest versions of the Decision and Justice compare to the ones they put out a few years back? I'm also curious about the Mercalli 4... How does that compare? (I know the Rumblefish was a whole other thing... I'm talking about the newer Reverend basses.)
It wasn't the binding that made them feel so smooth, it was the "rolling", the rounded edge where the neck actually gets slightly wider and then narrower again as you move down away from the fretboard - so when you're sliding up and down the neck, your hand is riding on smooth polished wood rather than the edges of the frets. The only other bass I've seen it on is a JAF custom 5.The newer ones dont have bound necks - but - people have commented how the newer ones, without the binding, have smoother fret ends. Cosmetically, i probably like the look of no binding a little more - particularly on the maple.
The newer ones dont have bound necks - but - people have commented how the newer ones, without the binding, have smoother fret ends. Cosmetically, i probably like the look of no binding a little more - particularly on the maple.
Here's the best example of what I'm talking about that I can think of: it's like "tumblehome" on a boat hull, where the fretboard is the ships deck:It wasn't the binding that made them feel so smooth, it was the "rolling", the rounded edge where the neck actually gets slightly wider and then narrower again as you move down away from the fretboard - so when you're sliding up and down the neck, your hand is riding on smooth polished wood rather than the edges of the frets. The only other bass I've seen it on is a JAF custom 5.