Tom7
I'm so bright, my mom called me son! ;-)
Point taken on the wood shed comment.IMO, there is absolutely no reason to change EQ settings going from slap to fingerstyle. If you have the need to do that, it's a woodshed issue. I don't think I've ever turned a knob on stage after the gig starts, other than maybe adding a bit of bass boost with my on-board pre for certain tunes (maybe 10% boost).
We are all different though, so purely IMO. However, the idea that you would have to have radically different EQ for different playing styles is a little strange to me. I guess I could see the use of a distortion pedal for some styles, but beyond that, I don't quite get it.
Again, just IMO and a different perspective I guess.
I've been trying to emphasize, though, that it is the COMPRESSION that I'd like to apply with a quick touch of a button though.
As for adjusting the rig, playing cover songs, where the original recordings have a wide variety of tones on the bass, is probably the main reason I'm trading out basses and fiddling with settings. It's fun, for example, to nail Smooth Operator's distinct bass tone, then play Red Hot Chile Peppers version of Higher Ground on the very next song and have my bass(es) and rig make the leap, sonically speaking.
