Anonymatt, sing - that's the best thing you can do for your aural learning, as you call it.
I recently started playing from John Patitucci's, "60 Melodic Etudes." I played through the first one a time or two, but then put down my bass and bow and sang the entire thing, starting slower than the indicated tempo, working up to just faster than tempo, and using the European names of the notes (what people called "fixed do") as my "lyrics." It's great exercise for your ears - just do it with whatever an appropriate level of difficulty is for you, and no one cares if you sound like a frog or have to switch octaves all over the place. All musicians should be able to sing, and sing in tune.
-S-
I recently started playing from John Patitucci's, "60 Melodic Etudes." I played through the first one a time or two, but then put down my bass and bow and sang the entire thing, starting slower than the indicated tempo, working up to just faster than tempo, and using the European names of the notes (what people called "fixed do") as my "lyrics." It's great exercise for your ears - just do it with whatever an appropriate level of difficulty is for you, and no one cares if you sound like a frog or have to switch octaves all over the place. All musicians should be able to sing, and sing in tune.
-S-