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Tech 21 Bass Fly Rig v2

That was hard to watch. I have a hard time believing that all the people who struggled with the octafilter are unaware of how an octave divider works best, but maybe I'm mistaken.

I am probably an outlier as I've never been a pedal user in all my years of playing bass. I ordered the BFR2 since I wanted the Sansamp, compressor and tuner, and I consider the chorus and Octafilter extras that will be fun to play with (and probably convince me I need more pedals, because I know how this kind of thing goes). I have no idea how they're supposed to work so this was useful information for me, but again, I am probably an outlier.
 
I am probably an outlier as I've never been a pedal user in all my years of playing bass. I ordered the BFR2 since I wanted the Sansamp, compressor and tuner, and I consider the chorus and Octafilter extras that will be fun to play with (and probably convince me I need more pedals, because I know how this kind of thing goes). I have no idea how they're supposed to work so this was useful information for me, but again, I am probably an outlier.
I'm not against the idea of a video to teach how to use them, but this product has been around the block a few years with a ton of experienced effects users saying it's really hard to use and get good sounds out of. The stuff they described are the same things you'll use to get good tracking out of an OC2 or an octave multiplexor, and experienced effects users know how to use those.

I admittedly have yet to use the v2, so maybe it's working better now, but it's issues aren't ALL user error.
 
Another decision to make and rabbit hole to research. BFRv2 or digital multi like the Line 6 POD Go? Comp, preamps/EQ, cab sim, and tuner are my main wants. The amp models in the POD Go look intriguing but the intuitive layout of the BFRv2 speaks to me. Will it be worth my time and frustration to get the POD Go dialed in?
 
Another decision to make and rabbit hole to research. BFRv2 or digital multi like the Line 6 POD Go? Comp, preamps/EQ, cab sim, and tuner are my main wants. The amp models in the POD Go look intriguing but the intuitive layout of the BFRv2 speaks to me. Will it be worth my time and frustration to get the POD Go dialed in?

I did my research and concluded that the BFR2 was most likely the right option for me. I am not tossing any of the packaging though, at least until I'm certain I like the way it works and sounds. I may end up returning it and get a Bass Driver DI + MXR compressor + clip on tuner instead, though that will be considerably more expensive than the Fly Rig.

Your mileage may vary. I really like the sound of the Sansamp, but if that's not for you then a different setup might be appropriate.
 
I’m getting to know mine.
I dig both of the channels, the chorus, compressor and tuner.
The controls and eq are pretty sensitive and interactive. The gain has a wide range, but it’s easy to dial in.
I wish it had the saturation control from the GED2112 for a beefier bottom end, and I’d gladly trade the less than impressive octafilter section for a good phaser.
I’ll reserve final judgment until I have tried it out at a rehearsal and a gig, but I think it’s a keeper.
 
Question for those who have had a chance to play with the unit. I understand it is only powered by a 9v power cable, no option for battery or phantom power. How long is the cord that comes with it? I am wondering if I'll need to pack a spare extension cord in my gig bag.
 
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FedEx wasn't supposed to deliver this until Tuesday, but I guess it's my lucky day. I've only had about half an hour to play with it, so I'll share a full review later, but a few initial thoughts:

1) Build quality is superb, this feels very solidly constructed. I was actually surprised at how small it is, even having watched some demo videos it's quite compact. The metal tin it comes in is nice too, I doubt I will use it for storage but I will try to find some other use for it rather than throwing it away.

2) Fiddling with the knobs a bit and I can say they are quite sensitive. A little goes a long way here.

3) Compression sounds nice. I haven't played with the full range yet but dialed in at 12:00 it does exactly what I want it to.

4) Sansamp is the star of the show here. I will need to do a lot more fiddling with this but I dialed in a few of the recommended settings from the manual, and it sounds fantastic, especially using the compressor.

5) Octafilter section definitely has a steep learning curve. I got some fun tones out of it but haven't found anything I would want to use in an actual live setting yet. I know some folks have said that the tracking on the octaver is kind of shagy, I found that to be the case with some settings but not others. I feel that more experiments are needed before I can say whether I like this section or not.

6) Chorus is pretty straightforward and sounds nice. The tuner works great. I played with the cab simulation off/on and... I can't really tell a difference.

7) Overall, I'm pretty happy. I wanted a Sansamp, a compressor, and a quick and easy tuner. I got all that for $300, plus some other tools to fiddle with. Maybe I'll use them, maybe I won't, but I am happy with this purchase.
 

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FedEx wasn't supposed to deliver this until Tuesday, but I guess it's my lucky day. I've only had about half an hour to play with it, so I'll share a full review later, but a few initial thoughts:

1) Build quality is superb, this feels very solidly constructed. I was actually surprised at how small it is, even having watched some demo videos it's quite compact. The metal tin it comes in is nice too, I doubt I will use it for storage but I will try to find some other use for it rather than throwing it away.

2) Fiddling with the knobs a bit and I can say they are quite sensitive. A little goes a long way here.

3) Compression sounds nice. I haven't played with the full range yet but dialed in at 12:00 it does exactly what I want it to.

4) Sansamp is the star of the show here. I will need to do a lot more fiddling with this but I dialed in a few of the recommended settings from the manual, and it sounds fantastic, especially using the compressor.

5) Octafilter section definitely has a steep learning curve. I got some fun tones out of it but haven't found anything I would want to use in an actual live setting yet. I know some folks have said that the tracking on the octaver is kind of shagy, I found that to be the case with some settings but not others. I feel that more experiments are needed before I can say whether I like this section or not.

6) Chorus is pretty straightforward and sounds nice. The tuner works great. I played with the cab simulation off/on and... I can't really tell a difference.

7) Overall, I'm pretty happy. I wanted a Sansamp, a compressor, and a quick and easy tuner. I got all that for $300, plus some other tools to fiddle with. Maybe I'll use them, maybe I won't, but I am happy with this purchase.

Which SansAmp option do you like better: the VT or BDDI?

Riis
 
I sort of wish I had the option to set a character mode for each channel, so I could switch back and forth easily.

That's my wish for v3. I keep my BDDI alongside the BFRv1 on my board in case I need THAT tone. A v2 may allow me leave the BDDI in the studio, but I’d still have to fiddle between songs to swap tones.

Speaking of fiddling, I get a decent MuTron-style filter sound from the OctaFilter section, and just leave it set there. I can’t easily change settings mid-gig (or mid-song in some cases), so I still use separate pedals for octave (OC-2) and fuzz (Big Muff “green Russian”). Not that the OctaFilter was an equal substitute for those pedals, but for a live scenario the best expectation is for the OctaFilter is to do one thing, not three.
 
Speaking of fiddling, I get a decent MuTron-style filter sound from the OctaFilter section, and just leave it set there. I can’t easily change settings mid-gig (or mid-song in some cases), so I still use separate pedals for octave (OC-2) and fuzz (Big Muff “green Russian”). Not that the OctaFilter was an equal substitute for those pedals, but for a live scenario the best expectation is for the OctaFilter is to do one thing, not three.

Yeah, I came to the same conclusion. There are a few useful tones you can get from that section, but it's finicky enough to dial in that the reasonable thing to do is pick one sound you want the Octoftilter to make, and set it to do that. I think the envelope filter is a lot of fun when it's set up right, so that's probably what I'll do with it.

Everything else on this pedal is very intuitive and easy to figure out. Not sure why the Octafilter has to be such an enigma, but it is what it is.
 
I recently picked up BFR2 and I'm very impressed. I'm using a EMG equipped Fender American Elite Jazz Bass or a Passive Squier CV bass. I mounted it on a Pedal Train Nano and am powering it with a larger Anker battery going into a VHT Vooster 9v converter. I like being able to not be tied down to a power adaptor and I can get days and days worth of juice from the Anker. It packs nicely into my Mono Tick bag.

Just a touch of the comp is all I need to smooth things out. It's easy to dial.

I like the Sansamp options, very flexible with the character switch and nice to have a grindy option with a touch more volume. The controls are very wide ranging, and it took a while to get used to the adjustability. I can get a nice SVT tone and beyond. This is the best part of the pedal. Very useful, versatile and solid option.

I see a lot of folks complaining about the Octafilter. It's not that bad, especially with the compressor engaged. I'm discovering plenty of usable tones. Tracking is as stable as an analog unit can be with an accurate touch and clean playing style. The fuzz is nasty and sustains forever.

The tuner is working fine for my 4 string, not too much bouncing around and easy to see in low light. I have not tried tuning a 5 string.

I'm not a big chorus guy, but if I ever need it it's there and useable.

I can take or leave the speaker sim when I'm just running it through my amp. Direct to my DAW it sounds balanced and natural. Super low noise floor. I haven't had a chance to use it in a gig situation yet, but venues are starting to open and I look forward to booking some shows and putting it through its paces live.

As a reference point, my old board was loaded with a BOSS TU-3W Waza Craft tuner, Strymon OB-1 compressor (bass mod version), Darkglass Vintage Microtubes, EHX Bass Microsynth, Death By Audio Fuzz War, and a Noble Preamp DI. It sounded great, but was big to haul around and too much for gig applications.

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I really like this setup. Can you please tell me the make/model for the board, the bag, and the power supply you are using? I would appreciate it. I just ordered a v2 and this looks like how I want to set it up.