I recently picked up BFR2 and I'm very impressed. I'm using a EMG equipped Fender American Elite Jazz Bass or a Passive Squier CV bass. I mounted it on a Pedal Train Nano and am powering it with a larger Anker battery going into a VHT Vooster 9v converter. I like being able to not be tied down to a power adaptor and I can get days and days worth of juice from the Anker. It packs nicely into my Mono Tick bag.
Just a touch of the comp is all I need to smooth things out. It's easy to dial.
I like the Sansamp options, very flexible with the character switch and nice to have a grindy option with a touch more volume. The controls are very wide ranging, and it took a while to get used to the adjustability. I can get a nice SVT tone and beyond. This is the best part of the pedal. Very useful, versatile and solid option.
I see a lot of folks complaining about the Octafilter. It's not that bad, especially with the compressor engaged. I'm discovering plenty of usable tones. Tracking is as stable as an analog unit can be with an accurate touch and clean playing style. The fuzz is nasty and sustains forever.
The tuner is working fine for my 4 string, not too much bouncing around and easy to see in low light. I have not tried tuning a 5 string.
I'm not a big chorus guy, but if I ever need it it's there and useable.
I can take or leave the speaker sim when I'm just running it through my amp. Direct to my DAW it sounds balanced and natural. Super low noise floor. I haven't had a chance to use it in a gig situation yet, but venues are starting to open and I look forward to booking some shows and putting it through its paces live.
As a reference point, my old board was loaded with a BOSS TU-3W Waza Craft tuner, Strymon OB-1 compressor (bass mod version), Darkglass Vintage Microtubes, EHX Bass Microsynth, Death By Audio Fuzz War, and a Noble Preamp DI. It sounded great, but was big to haul around and too much for gig applications.
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