This whole thread is giving me FARTS! its a shame i cant buy it till next month i really really want it!
PATIENCE!
have patience!
don't overcook it, amigo
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This whole thread is giving me FARTS! its a shame i cant buy it till next month i really really want it!
PATIENCE!
have patience!
don't overcook it, amigo![]()
Yes, hence this is going to be my new signal chain:
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Because the SMMH processes left and right signals separately, this lets me just use the VT on the DI signal and put a clean signal through to a regular amp if I want. If I want to use a power amp or go into the FX return I can use the pass through signal from the DI.
When putting other effects after the VT Bass it means I cannot crank the volume on it to drive a power amp (it'll distort the SMMH input). I don't use a power amp, but if I ever do I'll need a boost pedal like the Catalinbread Serrano Picoso to get my signal level up!
Is it just me or wouldn't you want your Filter after the VT? The VT will drive the filter, and should yield some good moog tones.
Overcooking = boosting tone controls until it sounds false and overdone.
Can it simulate power amp medium drive? Sounds like it to me.
UH OHHHHH!!!!![]()
Gordon Ramsay is going to be very angry!!!![]()
O.k. after some more testing, I'm fairly close to my initial assessment with a few exceptions...
The character knob makes a big difference. Back it down a little or a lot have more of a tube tone. It has a more natural tone & probably REPRESENTS ( To me not necessarily sounds more or less like ) more like a tube amp then sansamp. Playing around with it has stupendous sound, probably not use to it yet.
Its the character knob that gives this stompbox series both its name and its, well, character. Each pedals eponymous pot pans through a choice of amp sounds, affecting frequency response, attack, and drive to produce a specific amplifiers sonic sensation. With the VT Bass, setting character before 12 oclock aims for the powerful Ampeg SVT sound, around 12 noon it aspires to the tube warmth of Ampegs 60s studio staple, the B-15 flip-top, and dialing up afternoon clock positions promises a range of distorto-crunch. The drive knob acts as each amps input gain would, pushing the virtual preamp and eventually pouring on the overdrive. SVT-like speaker simulation is part of sonic sauce as well.
Dude, thanks for the clips and damn you for giving me more GAS!
I've totally got to get one of these. Being a fellow Spector owner and Tool fan, as well as a big BDDI fan, this is right there for me as far as any kind of simulator pedal goes. I only wish it had 3 presets like the PBDDI.
I never used to run my blend on 100%, but I've discovered it sounds best (to my ears) with the blend maxed and a mid-boosted graphic EQ running after it.
I would think so. I use a 1-Spot to power it, an EBS Microbass II preamp, and two X2 wirelesses, so if a 1-Spot can do it, I'd think the Boss could, too.I have a Boss TU2 tuner pedal and am wondering if the power supply output (on the back of the pedal) from this pedal is sufficient to drive the VT.
I suspect it is, however, I'd like to get other opinions, thoughts and/or experiences.
Thanks!
I still can't find a store in Illinois that has one in stock. I still would like to try it. I guess it's getting time to just order it, but first I have to sell my vintage EH Big Muff III.
I would think so. I use a 1-Spot to power it, an EBS Microbass II preamp, and two X2 wirelesses, so if a 1-Spot can do it, I'd think the Boss could, too.