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The 10 Commandments of Gigging

Ralph Notoro

Inactive
Jul 14, 2014
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I see lots of posts from obviously young/inexperienced guys about the frustrations they have with bookings, clients, club owners, audience members, etc. The bickering goes back and forth and everyone seems to be missing the point. It isn't about who is right or how well you played. There are elements to doing a successful gig that are beyond the obvious, yet you need to learn them and master them.

I put it in a simple list. This took decades to compile. You can argue all you want. But they are the truth. You'll find that out sooner or later.

#1: Take criticism seriously.

If somebody thinks you suck, they may not be right -- but they have their reasons. Try to figure out what that is and rectify it. Hint: They aren't jealous.

#2: Don't make excuses

So many problems can be avoided with simple professionalism. Being on time, talking to the owners. Acting personable. Don't do those things and you're halfway toward having a problem.

#3: Don't assume the audience doesn't know what's good.

They know what they like. They may not be able to articulate it but they know.

#4: Learn to read a crowd

Too many band launch into what they do and don't understand why they aren't connecting with the audience. You have to find the tone that clicks and follow that lead.

#5: Have a variety of styles

It's always good to be able to shift gears. If you do classic rock, have a few pop songs or folk songs or oldies in there. Sometimes that can save a gig. You may not want to play rooms like that all the time but at least you'll get paid.

#6: Keep the sets moving

Songs should have a s little time in-between as possible unless you're talking to the audience. Discussion among the band in-between songs looks terrible and way too many bands do it way too often.

#7: Play the room

If it's a big room, have the proper equipment to cut it. If it's a small room, be prepared to make adjustments in your volume.

#8: The Singer is the Focal Point

Without a good singer, and preferably one who is charismatic and/or good looking, you'll forever wonder why your band isn't liked as much as you think they deserve to be.

#9: Connect with the audience

They're your greatest ally, yet too many bands treat them like the enemy. Don't argue with idiots. If someone says YOU SUCK! Say..."you're probably right. And for our next song..." You'll negate their attack better than defending yourself.

#10: Remember -- You're working

Never forget you're being paid to provide a service. Do your job. Do what you're told. Don't get s***faced. Don't wander off in between sets and get lost. Make friends with the other employees. Having the right attitude goes a long way and a bad one gets around faster than you might realize.

Follow these commandments and save yourself a ton of trouble. Trust me.
 
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I'd add
# Take care of your tools. Show up with a working Instrument, spare batteries and strings (or a backup instrument if you have one) all the cables needed and with an appropriate amp (don't bring an 8x10 to a coffeehouse gig) in working order.
#Learn how to connect with the FOH guy if the place you play has one.
He'll do the sound out front and if that's crap you might have a great sound on stage but that won't help the audience enjoy the gig.
If you want something that's beyond the standard setup, make him part of the thing, talk with him of how to achieve this, ask his opinion, involve him.
I've seen that thing go awry from both sides of the mixer. Some Bassplayer that just unplugs the DI and drags a mic in front of his rig will have a harder time getting a good sound out front
than the guy who comes up to the FOH guy and asks him his opinion on how to get the desired sound.
 
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#6: Keep the sets moving

Songs should have a s little time in-between as possible unless you're talking to the audience. Discussion among the band in-between songs looks terrible and way too many bands do it way too often.

---------

Along these lines I would say keep the chatter to a minimum. I've played with frontmen who go on and on and on. NOBODY CARES. Keep the audience banter short and sweet. Nobody wants to listen to 5 minutes of your inside jokes, musings and reflections.
 
My top 5

1. Know your demographic and plan accordingly! Obscure tunes have no place on setlists!
2. Be on time. Start on Time. End on Time.
3. Play plenty of medleys (Cover bands) and leave no dead space in between!
4. Do not blast your audience with a loud wall of sound. Low stage volume and PA set to cd quality. (Folks still want to socialize and need to be able to hear each other. [Pet peeve of mine].
5. Your band is a business. Good business brings repeat customers.
 
And...Don't Do Drugs!
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#6: Keep the sets moving

Songs should have a s little time in-between as possible unless you're talking to the audience. Discussion among the band in-between songs looks terrible and way too many bands do it way too often.

---------

Along these lines I would say keep the chatter to a minimum. I've played with frontmen who go on and on and on. NOBODY CARES. Keep the audience banter short and sweet. Nobody wants to listen to 5 minutes of your inside jokes, musings and reflections.

I'd say even really famous bands need to learn this one. I came for the music, not the commentary.
 
Great list, great additions from others. The wording of some items seem geared mostly to cover bands, but some form of the same idea is good for any band.


True. But that seems to be 99% of paying gigs. If you're playing concert halls I assume you know these rules already. But most people don't get to that point on part because they never learned how to do the small venue gigs professionally.
 
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I'd add
# Take care of your tools. Show up with a working Instrument, spare batteries and strings (or a backup instrument if you have one) all the cables needed and with an appropriate amp (don't bring an 8x10 to a coffeehouse gig) in working order.
#Learn how to connect with the FOH guy if the place you play has one.
He'll do the sound out front and if that's crap you might have a great sound on stage but that won't help the audience enjoy the gig.
If you want something that's beyond the standard setup, make him part of the thing, talk with him of how to achieve this, ask his opinion, involve him.
I've seen that thing go awry from both sides of the mixer. Some Bassplayer that just unplugs the DI and drags a mic in front of his rig will have a harder time getting a good sound out front
than the guy who comes up to the FOH guy and asks him his opinion on how to get the desired sound.
I'd add that its a good idea to tip the soundman. It goes a long way for the next time.
 
Obscure tunes have no place on setlists!
Well that may depend on the setting and the audience.
I love it when a band pulls out an obscure tune or two--I might hear a song I don't normally hear--which is cool.
I might discover a song I like & that is new to me, etc.

A couple of years ago I was at a Blues Festival (As part of the audience)--and there were 8 bands--only two I really knew--and so a lot of the songs were obscure--but I bought some music that day, and have since bought some of the other music.

But this does make sense to consider your audience & context--and if you do play something obscure--don't overdo it.

Also one person's obscure is another's common song--and I have encountered that--songs I thought were common-someone else thought obscure--and vice versa.