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The all-fretless show...

I still need a real band, but until then I have a good time with Swallow Hill Music classes. The last 7 Sundays we’ve been trying to pull together Zep IV for this afternoon’s show. Sadly there are 2 basses, but on the upside I can peek at her left hand when I lose my place.

A couple weeks in I pulled out the fretless I’d been ignoring while trying to keep up with JPJ and was all “WOW, no clank and the perfect tone for a couple of songs!” So I brought it to rehersal and asked everyone to tell me if I was out of tune. And I’ve brought it ever since.

I’m also bringing my DB to play arco on “Evermore.”

There’s no point to this post other than I’m nervous and planning on staring at my left hand a lot.
 
Just curious... what are the steps in switching to a fretless bass. assuming you already play bass.

The two primary differences (steps) are: 1) Intonation, and 2) Technique
  1. If you already have a good ear, you will hear when the pitch is off (or on). If not, you will eventually develop to the point where you can hear it. The nice part is, you can quickly adjust by moving your finger slightly in either direction to compensate. And a lined fretless bass helps.
  2. Although you can still use "guitar" vibrato where you bend the string back and forth, on fretless you typically use the same vibrato as a violinist/cellist etc. - where you rock your finger back and forth in the same direction as the string (instead of bending). Fretless allows for sliding up to, and down from a note, as well as sliding harmonics. Then you have "mwah", which is the unique fretless tone that many people instantly recognize - this can take a while to learn because there are several factors involved. There are several YouTube videos that demonstrate how to get mwah.
You do not have to use vibrato, slides or mwah - you can play fretless the same as fretted, but intonation is still critical. If your technique on fretted bass is such that you already play just behind the frets, then the adjustment is easier.
 
Just curious... what are the steps in switching to a fretless bass. assuming you already play bass.

I’m not an instructor, but what I did was basically begin at the beginning. I re-did the Hal Leonard books. I bought the Suzuki Method bass books and recordings and learned by ear. I did scales and arpeggios in different positions, with and without drones.

Also, my Jazz has lines and my DB has some well-placed grain in the neck.
 
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C6F12BF7-A3C1-462D-ABB9-3FF9A0DEBA70.jpeg

Staring at left hand as promised!

This was Black Dog based on my use of a pick.
 
The two primary differences (steps) are: 1) Intonation, and 2) Technique
  1. If you already have a good ear, you will hear when the pitch is off (or on). If not, you will eventually develop to the point where you can hear it. The nice part is, you can quickly adjust by moving your finger slightly in either direction to compensate. And a lined fretless bass helps.
  2. Although you can still use "guitar" vibrato where you bend the string back and forth, on fretless you typically use the same vibrato as a violinist/cellist etc. - where you rock your finger back and forth in the same direction as the string (instead of bending). Fretless allows for sliding up to, and down from a note, as well as sliding harmonics. Then you have "mwah", which is the unique fretless tone that many people instantly recognize - this can take a while to learn because there are several factors involved. There are several YouTube videos that demonstrate how to get mwah.
You do not have to use vibrato, slides or mwah - you can play fretless the same as fretted, but intonation is still critical. If your technique on fretted bass is such that you already play just behind the frets, then the adjustment is easier.
Thanks for the info.. I'm sure their out there but locally I've never seen any Rock/Bar bands playing Fretless. Wondering if that's something I would like to try sometimes.
 
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I use it a lot in my america/blues band and in an American trio (no drums). It gives a different texture to the music that I love. On the other hand, I love my fretted basses as well, so I often take both and switch when the guitar player switches to banjo, which is always out of tune, even when it's in tune.
 
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