the tonestyler totally rocks - too bad it's insanely overpriced for the price of the components.
I always go into my passive guitars (and bass while I own a passive) and mess with capacitors on a project board to see what sounds coolest. I normally leave tone controls either dimed or nearly all the way off since I either like lots of treble or that resonance shift, and I personally normally dislike reduction of treble. This is why I loved my Alembic so much back in the old days - two variable Q variable frequency low pass filters, one for each pickup, and they were buffered from each other so they didn't affect each other's tone. I got the most amazing tone from that - it could go from j ish to ric-ish to anythign else, all the while sounding beautiful and present.
filters are amazing things. even a little capacitor and knob on a passive pickup!
I always go into my passive guitars (and bass while I own a passive) and mess with capacitors on a project board to see what sounds coolest. I normally leave tone controls either dimed or nearly all the way off since I either like lots of treble or that resonance shift, and I personally normally dislike reduction of treble. This is why I loved my Alembic so much back in the old days - two variable Q variable frequency low pass filters, one for each pickup, and they were buffered from each other so they didn't affect each other's tone. I got the most amazing tone from that - it could go from j ish to ric-ish to anythign else, all the while sounding beautiful and present.
filters are amazing things. even a little capacitor and knob on a passive pickup!
That image demonstrates the phenomenon exactly as I hear it. (Even the frequencies, about 3 kHz vs. 500 Hz.)
