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The case for old roundwounds?!?!

Nov 2, 2013
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So, I have really been getting into and disecting Joe Dart from Vulfpeck and his style & tone lately... The thing is that I have always been a frequent string changer: I love the bite and harmonics of new strings. However, I am really starting to appreciate that "vintage" sound he gets from old Rotosounds.

Eventually, when I can afford to, I do plan on getting a P with flats (and a passive J, and a Lakland 5-bander, etc...), but in the meantime unless I start gigging with another rock band, I am going to back off on my restringing schedule. I know my active Spector is not going to sound like a passive J, but has anyone else thought about changing their "string philosophy" after hearing a particular bassist?
 
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When I hear about "old Rotosound", I think of David "Dela" LaBruyere, who used to play for John Mayer. I love the sound of his Jazz bass on John Mayer's Live In LA DVD. From what I understand, he swore by old Rotos.

I have recently moved away from flats, after a few years of being a self-professed "flatwound enthusiast", and decided I actually prefer the sound of well-broken-in nickel rounds, as long as they're in good shape and still play in tune.
 
I haven't used rotosounds in nearly 20 years,because they feel horribly rough new. But my guitar player in one band has an 80's era Yamaha BB300 (great little bass) that has had the same old roto swing 66's on them for at least 15-18 years. They feel perfect (i imagine the ridges are full of old derma),and they sound and record fantastic. With the tone knob open,the strings still have a nice grind,with it turned off,they sound like Flatwounds with definition.
 
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