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I'm still waiting for my SB to come in. The wait is killing me.
Not to make you feel even worse, but that was a stellar deal. Just keep your eyes open they pop up all over and with some good pricing. Even if you have to spend a little more it's definitely worth it .
I played a scuffed up demo at Sam Ash. They had zero new SBs in the entire chain. Fender had zero in stock but were about to receive a shipment. I can't wait.The more I use my SB, the more I'm so glad I went for the SB over any other head. Wen your SB shows up, I hope you like yours, as much as I like mine.![]()
I played a scuffed up demo at Sam Ash. They had zero new SBs in the entire chain. Fender had zero in stock but were about to receive a shipment. I can't wait.
I know! Not like I'm suffering with my D800, but still.Hang in there, The Super Bassman is worth it!![]()
The D800 just kills. The SB is a different flavor of awesome. A much heavier flavor. I sold my Orange AD200 and was happy with the D800, as I remain. But, I miss my tube tone.Yep the D800 is my back up to the SBM or for smaller venues and lots of stairs .![]()
The D800 just kills. The SB is a different flavor of awesome. A much heavier flavor. I sold my Orange AD200 and was happy with the D800, as I remain. But, I miss my tube tone.
The Orange is all pillowy bass and clear mids and highs. Nice subs. Cannot get a bad tone. A beautiful tone. It also does a nice over drive. However, that is it. And I always ran out of clean volume running two Trace 15s. The SB is clean and less colored that the Orange but you can EQ different tones with the second channel. No shortage of clean volume either. What sold me on the SB was the ease with which I could dial in a Duck Dunn sound, a Jamerson sound, an SVT sound, and a Hiwatt sound really easily. It's a winner even if I just use it for recording.I have never tried the Orange, how do you compare it to the SB300?
The Orange is all pillowy bass and clear mids and highs. Nice subs. Cannot get a bad tone. A beautiful tone. It also does a nice over drive. However, that is it. And I always ran out of clean volume running two Trace 15s. The SB is clean and less colored that the Orange but you can EQ different tones with the second channel. No shortage of clean volume either. What sold me on the SB was the ease with which I could dial in a Duck Dunn sound, a Jamerson sound, an SVT sound, and a Hiwatt sound really easily. It's a winner even if I just use it for recording.
I think the D800 is an incredible amp. Not for its size/weight, not for the price, and not for a Class D amp. Just as an amp, it is incredible. The SB and other tube amps have a different character, which I love. They are a nice compliment.Isn't it funny how many of have both the D800 & SB300?? (In some cases, I know, 'had', but still).
I still have to check out the DI on the SB. The Mesa's DI is just killer, my hard rock band plays mic'd into mixer out to buds, I just go DI no live sound, they love my tone with the D800 and so do I.
i am going to check out the Neo 410 and the 15, but I think my Trace cabs will be fantastic. They weigh about 55 pounds. They are really open cabs. They sounded great with my old Ampeg and my Orange.This is where I have to agree! Your assessment is right along with the lines I am feeling. I have a pair of rare Fender Custom Shop Rumble 410 cabs.. I have not tried them at volume in the band that I am with at the moment.. why you say? Well the Epifani 15's work so well with the tube heads, I have not been moved to try the 410s.. but I think that I will on the next practice.. I will use the Ampeg first, only because I already know.. that if they sound good with that head.. it will most deff sound great with the SB300!
I received my SB today. A great amp. The dual channels is awesome. It is like a "tubier" Mesa 400+. Very similar but richer.