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The Fretless Club (Part 2!)

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I have already gotten a number, but I wasn't able to post a picture of my Warwick at the time.
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Here it is at an N-version gig at the Brandon Chamber of Commerce.
 
Hi

I don't know if I've already been added as a member. I have probably shown my Benavente fretless Vortex already..... :)
But here, anyway, is another fretless bass which is nearing completion, a Warmoth G4 made of bubinga, with a bloodwood fingerboard and Nordstrand Big Splits.
It'll most likely have active electronics and piezo pickups when all is said and done.

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Hi

I don't know if I've already been added as a member. I have probably shown my Benavente fretless Vortex already..... :)
But here, anyway, is another fretless bass which is nearing completion, a Warmoth G4 made of bubinga, with a bloodwood fingerboard and Nordstrand Big Splits.
It'll most likely have active electronics and piezo pickups when all is said and done.

Very sober and cool !!! It looks wonderfull
 
Hello guys,

I´ll be buying a Squier VM Fretless JB and I want to know, before ordering it, which strings are the best to play fretless in a rock band. I know flats are mellower and don´t damage the board, on the other hand, rounds gives you that "mwah" sound that everyone loves but kind of damage the board.

What do you use? what do you prefer?

Any comments are welcome. :bassist:
 
Not sure if I have a number. Here's my Ghost piezo PU semi acoustic bass. It is made from red cedar, even the neck. The FB is Dyamond wood. It plays best w/low tension strings. It has the most incredible mwah and only weighs a few pounds
 
Hello guys,

I´ll be buying a Squier VM Fretless JB and I want to know, before ordering it, which strings are the best to play fretless in a rock band. I know flats are mellower and don´t damage the board, on the other hand, rounds gives you that "mwah" sound that everyone loves but kind of damage the board.

What do you use? what do you prefer?

Any comments are welcome. :bassist:

You could think about halfwound/groundwound/pressurewound strings. The outer portion of the wind has a flat surface and they give you most of the brightness of a round but don't damage the board. There are mixed opinions about them but I use them on my fretless basses and I love the sound from them. Listen to "Maple Leaf Angel" on the link in my signature. That was all played on my Status S2 with Hotwire halfwounds.
 
Hello guys,

I´ll be buying a Squier VM Fretless JB and I want to know, before ordering it, which strings are the best to play fretless in a rock band.
I know flats are mellower and don´t damage the board, on the other hand, rounds gives you that "mwah" sound that everyone loves but kind of damage the board.

What do you use? what do you prefer?

Any comments are welcome. :bassist:

My strings in an alternative rockband on fretless were Rotosound Swing Bass roundwounds & D'Addario XL nickel round wounds.
The rotosounds gave more growl when they were fresh, the D'addadario's sounded slightly deeper and kept their initial sound longer.
I've played fretless with Nickel flatwounds to check it out, but prefer them on a hollowbody bass, they sounded a bit thin on fretless to me.

Opinions about wear on your fretboard differ, some say you should protect your wood with a hardened epoxy to improve the sound.
Others say that that process may deliver you what you want, to make you loose what you had.
Epoxy brightens up the sound through it's molecular structure, which is similar to a Carbon Graphite fretboard.
It also insulates the wood and avoids the wood from 'breathing' the result is a kinda 'plastic' sound (that is loved by some).
Propagators of the pure wood refer to double basses to prove their point by saying "those strings are on pure Ebony and don't need anything else". And a bit of wear doesn't change the sound of your fretboard, just as roadworn bodies keep their sound with lumps & bumps on the body.
 
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