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The Mike Lull Club Part 2

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I've got a question to you, dear Mike Lull - aficionados:

Could you please recall the specs of 2001-ish M5Vs?
Particularly: construction peculiarities and electronics (pickups), different to current Lulls.

Thanks!
 
I too am now putting down my longtime favorite ash maple 55/94 with lakland electronics in favor of my new MV5 with the duncan pickups and the bart preamp. Wow, I thought I was happy with my old tone until now....... when I play the Lakland my drummer says it sounds like there is a blanket over my speaker cabinet. I am still more comfortable with the Lakland neck and feel, but find myself going for the new Lull because I love the sound!

That is exactly how it sounds to me after playing my Lull. It is on its way to the west coast tomorrow as a partial trade for an active Lull PJ5 !
 
lull2.jpg


Alder/Rosewood. It's passive, punchy, currently strung with Sadowsky flats, and it absolutely kills.
 
I love OBP3 but I have to say NTMB works better for me in my M5V. OBP3 is tighter in mids but NTMB is more transparent, more open in my Lull. Well I still fell I need to make sound just a little bit more tighter, maybe more creamy...I found original NTMB wireing (250K pot for blend and 25K volume/after preamp) puts what I need into it...well i have to try it live on gig but I feel I like that change...I think Mike makes his wireing just becouse it is best way how to make instrument active/passive switchable...I'm not electro-expert and I know Luthiers like Mike and others know better what to do ;) ...just my testing

...well after while I have to say Mike's wireing is the best :D:D:D
 
kai_ski said:
Alder/Rosewood. It's passive, punchy, currently strung with Sadowsky flats, and it absolutely kills.

I'm gonna put flats on my Fender when the new Lull arrives. Oops... Did I just say the F word. That's ok guys, mike plek'd my jazz. That was a really fun day hanging in Mike's shop watching him put it on his magical-robot-fret-grinder-majig. It turned it into a totally different bass. It went from a solid fender to irreplaceable. (to me)
 
Very nice! Alder/Rosewood is the wood combo on my incoming PJ5. Hmmmm flats you say......I'm going to think about that one.

You like the stock pickups?

I really like the stock pickups. The seller I purchased it from had a Nordy NPJ5 set for me, but after playing these for a couple weeks I told him to sell them off. I just tracked with it last night (first time with the flats) doing a new country tune with a disco beat. It really brought the groove together. The Sadowsky flats are really bright for a flatwound string. They're A LOT more versatile than Labella deep talkin or TI flats i've played. To me there's just something about a P-bass with flats, just so timeless. They really work for the blues/rock and soul groups I play in. They're also the only flats I think have a good (different, but good) slap sound.

I'm gonna put flats on my Fender when the new Lull arrives. Oops... Did I just say the F word. That's ok guys, mike plek'd my jazz. That was a really fun day hanging in Mike's shop watching him put it on his magical-robot-fret-grinder-majig. It turned it into a totally different bass. It went from a solid fender to irreplaceable. (to me)

I keep stainless rounds on my M5V. These are the only two solid-bodies I have now, so I want them to sound very different.
 
Wow, this is getting weird...

I traded my 55-94 straight across for my M5V and have never looked back.

The 55-94 was and is a great bass... no doubt about it. But, the M5V is magic. There's just something about it that cannot be denied.
 
I'm lucky to live close to Mike's shop, just some of his showroom beauties from a recent visit, Mike's the man!
tealbird.jpg
 
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