Well, depends on your gigs. In my case I have five different bands I play with that are all over the map musically. While I could only use one bass, I've worked out arrangements for some songs that I flat out can't play on the Lull (either up above the 20th fret or use a high C for comping). I also have a Rob Allen fretless which is still the gold-standard when I want the best "upright vibe" for a gig.
But I am liking this bass more and more, which doesn't happen that much. Usually there is the initial, "wow, this is the coolest bass ever!" followed by slow realization that the shiny new toy isn't everything you hoped for. This one is somewhat the opposite. When it showed up, sure it was pretty and played nice, but it still was "a jazz bass" so I was skeptical. And when I first slapped it, I whacked the volume knob with my right hand (the controls are set way back on my Foderas). At that point I could have given up and said, "nope, not for me." But I liked the tones I got out of it and liked the feel even though it is a beefier neck than my YYD. After adjusting my technique and then learning the instrument a bit, I'm getting more and more happy playing it.
But I am liking this bass more and more, which doesn't happen that much. Usually there is the initial, "wow, this is the coolest bass ever!" followed by slow realization that the shiny new toy isn't everything you hoped for. This one is somewhat the opposite. When it showed up, sure it was pretty and played nice, but it still was "a jazz bass" so I was skeptical. And when I first slapped it, I whacked the volume knob with my right hand (the controls are set way back on my Foderas). At that point I could have given up and said, "nope, not for me." But I liked the tones I got out of it and liked the feel even though it is a beefier neck than my YYD. After adjusting my technique and then learning the instrument a bit, I'm getting more and more happy playing it.
