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I have a 21 Fret and although it is probably better for slapping, I wish I had gone for the 24 fret model. I do far more fingerstyle stuff and am getting more into chordal playing in the upper register and the easier access to the higher frets you get with a 24 fret would be nice. If you are a slap man, get the 21, but otherwise, go for 24.What do you prefer 21 or 24 frets?
Do you really use the extra 3 frets or it's more for the look!!!



If you are a slap man, get the 21, but otherwise, go for 24.
24. While I'm not a huge soloist, I do like the extra range, and I don't feel it adversely affects the slap tone or access enough to be an issue at all... at least for me.Vic, is your bass 21 or 24 frets?
I will go with the World Logo....For sure
It just depends on what you want, and also your playing style. As much as I dig their look and physical feel, I'm not a fan of the wenge necks myself, but that's TOTALLY about my personal prefs AND playing style... NOT a slam on that neck, which is, as rockstarbassist says, part of a very popular wood combo, and works great for lots of folks.
In addition to the nice low mid push with the wenge, there's also a little bit of a "choke" (or modest attenuation if that sounds too negative for some folks) that the wenge necks have in the upper mids, or maybe even low treble, depending on how you prefer to describe stuff, and that drove me crazy. Mike's ash necks have that same low mid push like the wenge, but without that choke, which is exactly how Mike describes the difference, and I agree with it. It didn't bug me at all when slapping, but I do VERY little slap, so at least with my case, it was a "fingerstyle specific" problem, but since I rarely slap, that didn't really change things for me personally.
I haven't put enough miles on mine to see if there's anything to deal with there, but it sure feels like there's something on the board... maybe the same catalyzed poly type of thing as the body. Thing is, I'm also pretty diligent about keeping my hands clean, so I'm not sure I'll ever have a test case for this, but FWIW anyway.Do the MTD's with maple fingerboards have a finish on them? Or do you guys just wash your hands diligently (I do anyway...saves strings big time). If they don't, is dirt and discolouration a big problem? (Yes, that's how Canajuns spell it).
I do need one more MTD for my bass life to be truly fullfilled...I was thinking wenge on wenge for the ultimate slap sound, and I do love the finger tone of those basses, and am familiar with their unique characteristics, but now the tonewood of choice seems to be ash on ash, a combination I haven't tried, and I hate buying stuff without trying it first. But I have YET to be dissapointed with any MTD I've played.
Typically I see more of the myrtl burl + tulipwood body combo with the wenge necks, but YMMV.
This is the setup I have, and lemme tell ya man! For slap and serious fingerstyle, I seriously doubt you could create a bass that accomplishes it's task better!
I haven't put enough miles on mine to see if there's anything to deal with there, but it sure feels like there's something on the board... maybe the same catalyzed poly type of thing as the body. Thing is, I'm also pretty diligent about keeping my hands clean, so I'm not sure I'll ever have a test case for this, but FWIW anyway.
FWIW, and YMMV, but an ash body, maple top and wenge/wenge board/neck is one of my personal favorite combo's in an MTD.
Tom.
I have a few questions for all the MTD players here. What was your first experience with playing an MTD bass like? What was your reaction? Where did you try the bass? How soon after did you purchase your own?
I think it would be really interesting to hear the various stories you guys have. I'm sure all of them are great.![]()