- Jul 8, 2009
- 1,612
- 11
- Disclosures
- A&R, Soulless Corporation Records
The only way I can describe it is you have to listen to the notes less, and actually "feel" the music.
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:as much as people talk about placing each note on top of or behind the beat etc, i'm surprised the other half of groove doesn't get mentioned too often - note length. you may be putting everything right where it goes, but it won't bounce until you get as specific with the end of each note as you are with the beginning. accents and note lengths ARE the groove if you ask me.
Oh man, Eric.... that's nuts. It would be fun to run about a half hour of familiar tunes through that, without saying anything, at a typical morning after at any frat house. "Whoa... think I drank too much".
Kill me now.One of my brothers, who is a computing programming fellow as well as very musically talented, emailed me this, just this morning (as a somewhat troubling joke). I can't resist. Its so wrong:
http://musicmachinery.com/2010/05/21/the-swinger/
Enter Sandman has never been so awesome.One of my brothers, who is a computing programming fellow as well as musically talented, emailed me this, just this morning (as a somewhat troubling joke). I can't resist. Its so wrong:
http://musicmachinery.com/2010/05/21/the-swinger/
I beg to differ![]()

Pass me some of that valium, wouldja?![]()