In jazz, the bassist should almost always be driving the band and staying on top of the beat, while the drummer lays back. This creates an epic amount of swing and sounds amazing.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
zigaboo modeliste?????????????????????![]()
In jazz, the bassist should almost always be driving the band and staying on top of the beat, while the drummer lays back. This creates an epic amount of swing and sounds amazing.
Sounds to me like you never heard Art Blakey.In jazz, the bassist should almost always be driving the band and staying on top of the beat, while the drummer lays back. This creates an epic amount of swing and sounds amazing.
In jazz, the bassist should almost always be driving the band and staying on top of the beat, while the drummer lays back. This creates an epic amount of swing and sounds amazing.
In jazz, the bassist should almost always be driving the band and staying on top of the beat, while the drummer lays back. This creates an epic amount of swing and sounds amazing.
Yes.I'm wondering, is getting into "the pocket" somethig mental, technical, spiritual, or a combination of three?
When it's really cookin' I don't think about whether I'm on the front, back or in the middle of the beat. It just feels right. I played with a drummer last night who just makes me feel good and as long as he's happy, I'm happy.
The pocket is something big enough to carry the whole band. It isn't just a 'rhythm section' pocket.
zigaboo modeliste?????????????????????![]()
Don't forget to breathe for too long, P! Did you ever get that feeling on a real uptempo tune where you're going so fast, it actually feels slow?
