Here you go:
Front is very nice. I'd hoped for a more contrasty rosewood, but if this is the price for no joint problems, I'm eagerly paying it. Some detailed shots:
On the next one, one can see the trace of the sanded and retinted area right to the strap button, a rather large one:
No problem here; I remember now one of the neck screws on the last one was awkwardly tilted and not enough inside its hole (the closest one to the camera). Here it's perfect as it should be...
Beautiful long neck:
Here is the fingerboard box, between the fifth and seventh, where someone scraped a bit of the rosewood to clean a blot. Part of it is still visible behind the D string, scraping mostly visible behind G string. I hope the luthier will be positive on making this disappear:
And here is the rosewood 'inlay' (don't have the proper word for the long pieces of rosewood that close the fingerboard on each sides along the neck, to hide the frets insertion grooves. It seems to me it could be darker from the head to the third or fourth fret. Maybe I'm picky. Anyway, no more rough sanding finish here, everything is smooth:
Hope you enjoyed these
. I'm happy, and surely the luthier work will help a lot. I'll have the action set a tad lower than the original one, Now I'll go and play it!
Front is very nice. I'd hoped for a more contrasty rosewood, but if this is the price for no joint problems, I'm eagerly paying it. Some detailed shots:
On the next one, one can see the trace of the sanded and retinted area right to the strap button, a rather large one:
No problem here; I remember now one of the neck screws on the last one was awkwardly tilted and not enough inside its hole (the closest one to the camera). Here it's perfect as it should be...
Beautiful long neck:
Here is the fingerboard box, between the fifth and seventh, where someone scraped a bit of the rosewood to clean a blot. Part of it is still visible behind the D string, scraping mostly visible behind G string. I hope the luthier will be positive on making this disappear:
And here is the rosewood 'inlay' (don't have the proper word for the long pieces of rosewood that close the fingerboard on each sides along the neck, to hide the frets insertion grooves. It seems to me it could be darker from the head to the third or fourth fret. Maybe I'm picky. Anyway, no more rough sanding finish here, everything is smooth:
Hope you enjoyed these
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