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The Sushi Box FX Secret Society

Honestly my dude, I have no idea. There are a couple brand new things swimming around, but nothing tangible enough to talk about yet. Propagation needs more work, I decided I'm not happy enough with it yet. Gondwana worked perfectly once and I haven't been able to replicate it, so I'm working with some people smarter than me to try to resolve that. A working Gondwana design will open the door to a lot of cool things I can implement together with other devices. Also had a nice conversation with Phil Mann yesterday about something he thought would be cool, but haven't built anything yet.

So there's always something happening, but as for which one is actually coming next, I have no idea.
I would love to see what some Sushi flavor would do to a EHX Tube Zipper type pedal, naturally I would be happy with one either as a Sushi Box pedal or a C2CE project.
It would be fantastic if it had a tone switch for Bass and Lead since I dip my toes in both ponds.
 
bassslinger kj,

I use a pigtone one amp nine volt dc wall wart supply for _the watt_ and these are my current settings I use at gigs:

View attachment 7520566


big thanks again to nathan!

on bass, watt


Alex's Bar last week was awesome!
 
OK, I have to be doing something wrong and I need your advice.
I picked up a Smoke Signals Preamp and am running into the return of my GK 400RB.
Even with the pedal and amp knobs cranked I am not getting much in the way volume. I do like what I am hearing, but it's just not pushing out volume.
I did make sure that I am outputting line level, the boost on the GK is dimed, I cleaned the return socket with contact cleaner, and I swapped in new tubes but got the same result.

Any ideas?
 
bassslinger kj,

I use a pigtone one amp nine volt dc wall wart supply for _the watt_ and these are my current settings I use at gigs:

View attachment 7520566


big thanks again to nathan!

on bass, watt



Sweet! That makes me completely happy with what I have, which is great. Thank you for the settings, I think I found them on a facebook page. They were great to give me a start, and I think the only thing I changed was a little hpf depending which bass I’m using and the attack a little slower. Mmmm, the blend a little more and the release a little less. But whatever! Ok, do you find that the knob color helps you reach for the right thing quicker? I only touch stuff because the settings get screwed up in transit and setup. If not, I’ll just put what I think looks cool. The Watt is the perfect pedal if you want just one. Everything I would want.
 
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Ok, do you find that the knob color helps you reach for the right thing quicker?
Mike requested that on his unit, he said when he's onstage he doesn't want to have to squint to look at labels, so he color codes everything. You may not need to adjust anything, but it's good to have just in case. I was thinking about offering color coded knobs as an option on the Watt, but decided against it because I knew it would be annoying to do a lot of.

As a side note, I love being able to say "these are the settings Mike freaking Watt uses onstage".

What can't Nathan do?
It is a very long list.

But if we're specifically talking about weird tube circuits the list gets a little bit shorter.

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I can't believe no one has made a tube tremolo pedal with bias and harmonic mode running at proper voltages!

A tube harmonic trem would be incredible, dialling in just the right amount of saturation to make it sing
The only tricky thing about an all-tube harmonic tremolo like the original Fender is that you need three tubes to do it. Not the end of the world, but the number of components would make it a bit larger than most pedals

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TB Admin staff note: This post violates our commercial user policy, specifically it does not answer an objective question
 
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Any info as to when the Finally v3 will be back in stock?
I have all the parts on hand, but my wife is out of town and builds go slower when she isn't in the shop helping me. I'm hoping to get more built up this weekend.

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Screenshot 2026-06-26 112655.png


Pretty excited about this cheeky little order!
 
View attachment 7523603

Pretty excited about this cheeky little order!
I know you already got an automatic email thanking you for your order, but seriously, thank you for your order. You'll see a shipping notification email as soon as I find a box big enough to fit all of these.

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TB Admin Staff Note: This post is in violation of our commercial user policy. It does not answer an objective question, and is customer service.
 
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The only tricky thing about an all-tube harmonic tremolo like the original Fender is that you need three tubes to do it. Not the end of the world, but the number of components would make it a bit larger than most pedals
So, does anyone like the tremolo that comes out of the Magnatone amps? Those are tube and varistor pitch shifting types. I have the Maggie pedal from BigToneMusicBrewery, which is pretty close but difficult to find. The varistors were unavailable for a while, but are available again. The story goes that Leo tried to duplicate that sound, but couldn’t, and wound up with something different. There are a lot of pedals that do the amplitude shifting thing very well; it’s a matter of what you like. There are harmonic tremolo pedals out there too.

 
I recently got a Slampegg Bee X here on TB and still have the Neptunium and Finally.

The Slampegg Bee is really amazing. It has a lot of gain on tap, and it breaks up really nicely even at higher gain levels than a B15 would do.

The tone shaping is also cool and with the Finally v3 or other hpf, it sounds very fat and warm.

Im
Still trying to figure out how to use the Neptunium in my setup. So far I find it most useful for recording. I do like using it with the Finally to add some more distortion but the Slampegg with the pedal switch is bit more versatile.
 
I recently got a Slampegg Bee X here on TB and still have the Neptunium and Finally.

The Slampegg Bee is really amazing. It has a lot of gain on tap, and it breaks up really nicely even at higher gain levels than a B15 would do.

The tone shaping is also cool and with the Finally v3 or other hpf, it sounds very fat and warm.

Im
Still trying to figure out how to use the Neptunium in my setup. So far I find it most useful for recording. I do like using it with the Finally to add some more distortion but the Slampegg with the pedal switch is bit more versatile.
I agree…the Slampegg Bee into a Finally is fantastic. Really really good. I sold both recently (stupidly) and now working to get that exact combo back. Rebought a Bee, now waiting on a V3. I had a V2 previously. Was looking at the Mayday, but I think I’d use the variable hpf more in the V3 as opposed to the eq in the Mayday. I think…