Okay, guys. I need some help here. I have just enough room on the board I’m putting together for one two-channel Sushi Box pedal. I’m caught between a Dreamcatcher or The Detective. Thoughts?
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Are we all really ignoring the Venus Y? We know the Venus X, Venus Z has been hinted. But what about the Venus Y?I can neither confirm nor deny the existence of a pedal by the name of "Venus Z".
But stand by for info to come...
Okay, guys. I need some help here. I have just enough room on the board I’m putting together for one two-channel Sushi Box pedal. I’m caught between a Dreamcatcher or The Detective. Thoughts?
I have and love both. I have decided to sell my Detective (in the classifieds) because it's BNIB and therefore worth more, and I don't have enough room for such big sushi on the board I had intended it for. Both do a great job of offering 2 different flavours with separate eq and gain structures. In choosing between the 2 the main difference IME is the differing eq curves since the DC uses a Fender passive stack and the Detective the HiWatt type stack, so I'd look at this simulator before deciding. They both work equally well for my ears/taste.
TSC in the web
Shameless plug here as well. I have a $60 cyber coupon/ gift code good at the Sushibox site I will sell for $50. A no-brainer if you're about to click "buy". PM me if interested.

Funny, I’ve actually been eyeballing your Detective in the classifieds
Thanks for the info and for the link! I’m a bit of an idiot when it comes to the engineering side of things so I’ll try to make some sense out of it![]()
It would certainly lose the size appeal of the current More, which I believe is one of its charms. A pair of 6SL7 would make for a very large pedal.Okay, hear me out:
A MORE, but with 2x 6SL7s, and circuit modified to not act as a HPF (for upright bass thumpiness).
Pipe dream, or million dollar idea? You be the judge.
LOL. You can't break the simulator, but it can depict exactly how the 2 classic, passive eqs differ and what each provides. I learned a lot from it....knowledge that saved me from wasting a lot of time blindly twisting knobs![]()
I never realized that there are “faders” off to the left of the graph to act as cut and boost so I always just used to look at the waves and think “umm, okay…”
It would certainly lose the size appeal of the current More, which I believe is one of its charms. A pair of 6SL7 would make for a very large pedal.
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I've made the point more than once that the circuit does implicitly act as a little bit of an HPF; it's a double-edged sword. If it weren't for that, it would be always-always-on, but sometimes I miss the thump and so it's a half-time-always-on for me. Occasionally if the room is really boomy it does help, but there's always actual HPF and notch filters for that of course. That being said, the MORE is brilliant for the FX loop of a solid state amp + elec bass.Adding a HPF to the current More is a great idea though. It's so good on upright to begin with, a hpf would make it a fantastic upright pre
that doesn’t matter if it’s all you need.It would certainly lose the size appeal of the current More, which I believe is one of its charms. A pair of 6SL7 would make for a very large pedal.
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You say 1U rackmount sushi device as though it’s a bad idea…
Anything with 6SL7 would have to be 2U minimum, they're too big for 1U.You say 1U rackmount sushi device as though it’s a bad idea…
Anything with 6SL7 would have to be 2U minimum, they're too big for 1U.
I had a couple weird ideas with 6SL7, we'll see where they lead. They aren't going to bump anything else off the R&D list, but I've got ideas.
Grand Slampegg is still going to happen, that's on the list well above whatever weird 6SL7 experiments I come up with.Ahem... Grand Slampegg!![]()