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Things you play while trying a bass/amp.

Stevie Wonder, signed sealed delivered,
the tempt's, my girl
Swervedriver, Blowin' cool
John Prine, crazy as a loon
Jeff Beck, goodbye porkpie hat
Funky Broadway
Alpha Blondy, Jerusalem
Rancid, Journey to the end of the east bay
whatever my band is playing at the time,
or if i am looking for a particular sound for a specific song, i will try that song with a wide selection of basses
 
To be honest I think playing "songs" when trying out gear is a waste of time and misdirected. When you are trying out gear you want to know what it sounds like, the versatility and range of the instrument or amp/speaker or other component and how it feels in the case of an instrument.

What you should be trying to do is have some etudes or ideas of your own together when you try something out. You really want to see how the gear you are trying responds to you and the different techniques you use. Trying to get Les Claypool or Victor Wooten's tone while trying something out is going to leave you with a false impression of what you are doing with your gear when you try and apply your own voice to it later on. Which is pretty much what happens when you go in there playing songs.

Personally I start by checking out any instrument acoustically before I even plug it in. Then I assess how it feels and take set up factors into account, intonation action and so on. Then I try to us an amp setup that is close as possible to my own setup and go through a series of different techniques and technique based etudes. I start with the settings all "flat", test it in active and passive mode, see how it sounds with bass, treble and mids boosted and cut, try different pickup settings and see if I can get different tones. I will go through fingerplaying, slap, tapping, sweeping, harmonics and generally try to find out how the instrument or amp responds to each of those techniques based on things I might do myself. Also with amps I will set the setting to flat and boost and cut as I go, I will also take at least one of my own basses in to try it out.

I don't think songs give you a good frame of reference because the moment you start playing songs you are distracting yourself from the sound of what you are trying out and comparing to the sound you have of that song in your head. Also I think in part the "look what I can do" factor really detracts from you making an informed and subjective decision about the gear.
 
To be honest I think playing "songs" when trying out gear is a waste of time and misdirected. When you are trying out gear you want to know what it sounds like, the versatility and range of the instrument or amp/speaker or other component and how it feels in the case of an instrument.

What you should be trying to do is have some etudes or ideas of your own together when you try something out. You really want to see how the gear you are trying responds to you and the different techniques you use. Trying to get Les Claypool or Victor Wooten's tone while trying something out is going to leave you with a false impression of what you are doing with your gear when you try and apply your own voice to it later on. Which is pretty much what happens when you go in there playing songs.

Personally I start by checking out any instrument acoustically before I even plug it in. Then I assess how it feels and take set up factors into account, intonation action and so on. Then I try to us an amp setup that is close as possible to my own setup and go through a series of different techniques and technique based etudes. I start with the settings all "flat", test it in active and passive mode, see how it sounds with bass, treble and mids boosted and cut, try different pickup settings and see if I can get different tones. I will go through fingerplaying, slap, tapping, sweeping, harmonics and generally try to find out how the instrument or amp responds to each of those techniques based on things I might do myself. Also with amps I will set the setting to flat and boost and cut as I go, I will also take at least one of my own basses in to try it out.

I don't think songs give you a good frame of reference because the moment you start playing songs you are distracting yourself from the sound of what you are trying out and comparing to the sound you have of that song in your head. Also I think in part the "look what I can do" factor really detracts from you making an informed and subjective decision about the gear.

Best post yet! I too approach checking out a bass from a different perspective. The very first thing I do is check to see how the neck profile feels in my hand. If it doesn't have that fit, I go no further. If it does seem like it could be there, I will play it unplugged for a few minutes. If after that time it still appeals to me, I leave it alone, and come back at least a few days later at an odd hr when the store is most likely at it's quietest. Again I pick up the bass, and if it doesn't immediately feel there, I walk. If it does, I repeat the first process again.This time however, I play every note on the bass (still unplugged) slowly and deliberately to check the loudness and uniformity of the notes, as well as listen for dead spots. If a bass sounds good unplugged, it will sound usually as good plugged in. Only after it passes that test, will I bother plugging it in to see if it has that magic. This may seem like a waste of time to many, but I am NOT going to the store to audition. I am going to look at a possible instrument to purchase.
As mentioned by someone earlier, when checking out an amp, I usually play very little. Instead I ask a sales person to play my bass as well as one in the store of his choosing. I really am not interested in his/her ability, but rather their willingness to help play what I ask as I set and change gain, eq, etc. A really young salesman at GC helped me one night for almost an hr playing for me as I checked out a LMII. He played whole notes, sustained notes, finger style, slap, walking, and even some chords for me, all on my asking. I could not have been more appreciative for his help. After my session with him, I purchased the amp without even playing one note through it myself. I found out all I needed to by being able to tweak the amp and listen with both hands free while the bass was being played, and having the ability to walk around and listen to the eq changes I had made. Again, I did NOT go there to audition, I went there to buy an amp.
A funny story comes to mind. Back in the 90's I went to a musicians flea mkt and rented a space to sell some items. I had one real nice piece to sell. It was a vintage MM Stingray ash/maple in mint shape. I swear to you at least a hundred people played that bass that day. 99 of them played some wanky slap crap that made me want to puke. One older gentleman sat down and played some wonderful melodic lines for about five minutes. Guess who bought it?
 
Those dammed blue collar
War pigs intro
summertime blues by blue cheer(:cool:)

If I want To "Wank" I will play jerry was a racecar driver(still need that 26th fret).

Wow, racecar driver, nice job man. I just learned John the Fisherman. Cut the back of my middle finger up pretty bad. Fun song though. And the top song; 'those damned blue collar', I just want to know if you mean 'Those damned blue coloured tweakers' by Primus. If so, nice job again.
 
if i try a fretless its always Portrait of Tracy or a really poor "Uh, whats up next now?" version of Teen Town

other than that i just noodle

though if im at the local instrument shop i spend most of my time just talking with the dudes who work there, i used to work there so i know them all personally
 
Best post yet! I too approach checking out a bass from a different perspective. The very first thing I do is check to see how the neck profile feels in my hand. If it doesn't have that fit, I go no further. If it does seem like it could be there, I will play it unplugged for a few minutes. If after that time it still appeals to me, I leave it alone, and come back at least a few days later at an odd hr when the store is most likely at it's quietest. Again I pick up the bass, and if it doesn't immediately feel there, I walk. If it does, I repeat the first process again.This time however, I play every note on the bass (still unplugged) slowly and deliberately to check the loudness and uniformity of the notes, as well as listen for dead spots. If a bass sounds good unplugged, it will sound usually as good plugged in. Only after it passes that test, will I bother plugging it in to see if it has that magic. This may seem like a waste of time to many, but I am NOT going to the store to audition. I am going to look at a possible instrument to purchase.
As mentioned by someone earlier, when checking out an amp, I usually play very little. Instead I ask a sales person to play my bass as well as one in the store of his choosing. I really am not interested in his/her ability, but rather their willingness to help play what I ask as I set and change gain, eq, etc. A really young salesman at GC helped me one night for almost an hr playing for me as I checked out a LMII. He played whole notes, sustained notes, finger style, slap, walking, and even some chords for me, all on my asking. I could not have been more appreciative for his help. After my session with him, I purchased the amp without even playing one note through it myself. I found out all I needed to by being able to tweak the amp and listen with both hands free while the bass was being played, and having the ability to walk around and listen to the eq changes I had made. Again, I did NOT go there to audition, I went there to buy an amp.
A funny story comes to mind. Back in the 90's I went to a musicians flea mkt and rented a space to sell some items. I had one real nice piece to sell. It was a vintage MM Stingray ash/maple in mint shape. I swear to you at least a hundred people played that bass that day. 99 of them played some wanky slap crap that made me want to puke. One older gentleman sat down and played some wonderful melodic lines for about five minutes. Guess who bought it?

I like the point you make about coming back. I don't believe in love at first sight either and you often need a second "date" at least before you know if you really want to buy something, I find.