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Double Bass Those who know the 'Underwood' pickup

I have an Underwood pickup (2 wing pickup). I believe that one pickup will do the job as having the 2 pickups mounted on the bridge. Is that so?
a) I have tried the one pickup and that seems to work OK. If I cut one pickup off and use that on another bass will both work?
b) Does the pickup have a more 'positve' (more volume) side than the other side?
c) If the pickup has a more positive side would that side work better facing the crown of the bridge or the top of the bass?

Ummm???
 
I indeed cut mine and now have two pickups; one for the DB and one for the EUB.
On the DB, it works better mounted the regular side.
On the EUB, it works better the other side. (the cable arriving from the "inside" of the wing)
Just try both and let your ear tell you what works best.
You may have to reverse the phase at the preamp or amp to control feedback depending on the pickup mounting orientation.
 
I have two Underwood pickups-
One is a single element that was salvaged from the wreckage of a very damaged freebie.
The second is a good condition older two element model.

The two element (as designed) one sounds much better on my bass.
 
Mine works best with both parts too !

When I used one I used both elements, into a Walter Woods MI-400-8 or before that a MI-100-8. Walter set the input inpedance on his amps to 1 Meg Ohm usng a pickup provided to him by Don Underwood. Understand, I’m not telling you to run out and buy a Walter Woods.
What I will say, is that a 1 Meg Ohm load, along with a sensitive EQ and a Phase Reverse switch, will get you a good if not great sound with the dual element Underwood. So, a FDeck HPF buffer preamp can address all those issues.
 
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If I go into the preamp of my GB Shuttle 6, I usually use the Fdeck pre first, otherwise I run into an LR Baggs Para DI FOH and into the aux in (of the Shuttle.) Both scenarios have high impedence input, phase reverse and semi parametric mid eq.
 
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By the time I would have experimented with the Underwood, I had probably moved on to the Realist, mostly
because I had to do some solo bowed work early on, and the Underwood combined with Tomastik Spirocore Weich's
just sounded awful, even with a two channel Walter Woods and dual EQ sections. So, being able to easily transition
between arco and pizz, in the middle of a performance, made the Ehrlund EAP th obvious choice for me. I guess
I tend to favor pickups, that produce a really smooth bowed sound, and as a result, perhaps a little less edgy pizzicato.
Just my preference.