Cool... but still, 4 years ago is recent, IMO.
Sure, but he references it as a bass he's had a long time, which he does elsewhere as well.
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Cool... but still, 4 years ago is recent, IMO.
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Posting the current massive bass collection, still trying to decide what to do string-wise for the Tbird. Currently wearing 9050s, but I think I'm going to go back to regular slinkies.
I do love that bass, but I need a much longer strap and a serious setup to reduce the string rattling.Knobs GOT to go too, I'm thinking gold reflectors.
View attachment 4747346
Posting the current massive bass collection, still trying to decide what to do string-wise for the Tbird. Currently wearing 9050s, but I think I'm going to go back to regular slinkies.
I do love that bass, but I need a much longer strap and a serious setup to reduce the string rattling.Knobs GOT to go too, I'm thinking gold reflectors.
I’ve never heard of a Keith triggering midi tracks. I can’t imagine how that would work, with that band.I saw the Stones live on the bigger bang tour (funny story in how I ended up going). There have been longstanding stories of Keef not playing, instead triggering a midi track. Having seen them live, I believe those stories.
I like more of the Stones catalogue now than I did in the 80s. The first few albums are much better than the later albums (IMHO) but I still think that there is filler. I feel the same about The Who.
I’ll join this club. I have albums by both but rarely listen to them. And then only when I’m trying to work out a song.I saw the Stones live on the bigger bang tour (funny story in how I ended up going). There have been longstanding stories of Keef not playing, instead triggering a midi track. Having seen them live, I believe those stories.
I like more of the Stones catalogue now than I did in the 80s. The first few albums are much better than the later albums (IMHO) but I still think that there is filler. I feel the same about The Who.
They're new.71 Thunderbird?
You'll need the Pbass for everything the Thunderbird can't do. Which means it can stay in the case.Played the Tbird for the first time at the studio with the guys. Wow I love this bass. Sounds great, plays great the boys loved it! So happy I pulled the trigger on this thing, the P Bass never left the case!
Welcome!
Tell us about that Bird. It seems familiar to me - like I've seen it somewhere before not all that long ago, maybe 1-2 years. Please let me know if you'd like a club number, happy to add you.
That's a very cool bird - what is it?
I like it too. But at 3K with tax I’ll pass. I can get a used Burgandy and a used Inverness Green 21’ NR to go with the Pelham Blue one for that kind of money. I’d be perfectly happy setting each one up with different types of strings.I like it, nice variation on the traditional concept - modern Thunderbird. It won't be around long either.
Played the Tbird for the first time at the studio with the guys. Wow I love this bass. Sounds great, plays great the boys loved it! So happy I pulled the trigger on this thing, the P Bass never left the case!
Thanks! I leave nearby a great luthier called McGibney Guitars who gave me a great deal on this one when the original build requester went through financial trouble.
It's all normal gibson burst thunderbird specs, aside from having firebird style pickups instead of thunderbirds. (Apparently the vintage-style covers were impossible to get a few years back). It's way brighter than you'd think for a tbird, and it has a very 60's jazz style carve to the neck. Omega bridge as well.
Then Matt put a respray-style goldtop finish on it, which I guess he sourced from the Heritage/Kalamazoo provider to get the true goldtop color. It definitely is a unique color, although hard to capture. It's reliced (sorry) but I think Matt is potentially one of the best realistic relicers in the business.
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Thanks! I leave nearby a great luthier called McGibney Guitars who gave me a great deal on this one when the original build requester went through financial trouble.
It's all normal gibson burst thunderbird specs, aside from having firebird style pickups instead of thunderbirds. (Apparently the vintage-style covers were impossible to get a few years back). It's way brighter than you'd think for a tbird, and it has a very 60's jazz style carve to the neck. Omega bridge as well.
Then Matt put a respray-style goldtop finish on it, which I guess he sourced from the Heritage/Kalamazoo provider to get the true goldtop color. It definitely is a unique color, although hard to capture. It's reliced (sorry) but I think Matt is potentially one of the best realistic relicers in the business.
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We haven’t started tort Tuesday. I might have to reconsider my membership status if we do.Please don't say we started Tort Tuesday![]()
I own both of those. Yes, I’ll agree they’re great albums.I’ve never heard of a Keith triggering midi tracks. I can’t imagine how that would work, with that band.
They lost me after Emotional Rescue, but I don’t think of their albums as having a lot of filler. Look at the tracks on Let it Bleed & Sticky Fingers.
I guess one person’s filler tracks are another person’s deep cuts![]()