Jim Burns is considered to be the "English Leo Fender", but was his opposite in many ways. He was a visionary/idea-man and local gadfly. Conversely, Leo was 'meat & potatoes' sporting a pocket-protector filled with pens & pencils. (eccentric in different ways) Jim Ormston Burns' instruments were more quirky for the early '60s. Burns produced the 1st 9v active guitar in '62, and this '63 Vista Sonic (and their guitars of that time) had a rotary knob with a "Wild Dog" setting. It was wired as a phase-shifter, which is used on guitars but not on a bass. (sounded more like a sick dog) I reversed the wires and now it sounds like a nice Jazz bass. Interestingly, Burns morphed the Vista Sonic into the Burns "Jazz Bass" in '64 - mostly the same with a slightly different body-shape. The company has been bought & sold many times over the decades.
Their guitars/basses had a very unique truss-rod adjuster buried in the heal that Gretsch later used after buying Burns in the late '60s. It was accessed using a special wrench under the neck-plate. Mine was missing the engravers material cover but the son of the guy who made them in the '60s still makes them on the same machine! I found the serial # in the neck pocket.
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So sound-wise (following settings);
WILD DOG - middle & bridge pu's - now sounds like a jazz bass... my go to setting
TREBLE - bridge pu - ok but lacking bass - can be worked with using the tone pot (next to the rotary knob)
BASS - neck and middle pu's - good for more bass with less mids
CONTRA BASS - neck pu - big boomy bass - probably the most popular for players in the '60s
I have flats on it and used it once at a Bond Girl rehearsal (sounded good in the mix) but haven't yet played it live or recorded using it. Post WWII surplus electronics abound - someone added a mini-toggle 'kill-switch' (turquoise cube). I replaced the UK style jack, (same as the original) available through
Stew-Mac. Considering how it looks - it all works as it should.
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Beat Portraits: Burns Volume 1 | Vintage Guitar® magazine