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Thunderbird Club

I never heard of it till TB as well. Apparently there has been spirited discussion about it being true or musical BS. In theory it makes sense and I try to remember to do it. I never noticed it correcting a problem I was having, but certainly seems as though it should do something.

A lot in life is like that... :)
 
Never understood the smuggling?
Or the lack of catheters?


The smuggling was largely/allegedly because Coors:
a) didn't want to try and transport it that far (unpasteurized at the time), so they
b) didn't market it east of TX, and because of that,
c) hadn't gotten license(s) to sell it in those areas.


So, anybody that wanted it, had to get it from an area where it could be sold legally, and transport it quickly because:
1) being unpasteurized it expired quickly without refrigeration, and
2) like anything else where the local/state gov't don't get their cut (e.g., sales taxes and regulatory fees), law enforcement types could become a problem.

:)




The catheters.......well, imo, that seems an in-advisable way to transport illegal booze? :bag:


I didn't know that beer had to be pasteurized, makes sense though.
 
Not your everyday EB.....

My friend Uwe with a refin, I actually suggested the colors as a joke - Hetook me up on it!
cJFXvqn.jpg
 
I’d be a nervous wreck with that tripod leg that close to the door and walkway. Other than that - Knock ‘em dead!

Having tried the Hipshot on two Thunderbirds, I’ve given up on it. I could never get the action low enough to my liking. And even having Hipshot send me different length screws, I could never get the thing to intonate. I’m very picky. My Babicz on the 15 is fine; no chorus problem once I got it dialed in. And the Babicz is great on the 13’ NR allowing for lower action than the stock three point.
I do like the Babicz. They’re built to last a lifetime, I’ve never had any problems with either of mine. I think this witness thing has only been an issue because of the minimal break angle, any other bridge most likely would have the same problem.
 
Ok I'll take you up on the advice. Is this a good deal? Been communication with the guy and seems like a nice one.


Sure looks to be in near perfect condition from what I could see. With current prices... I think it's reasonable/fair. But I would offer a little less anyway.
 
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Not your everyday EB.....

My friend Uwe with a refin, I actually suggested the colors as a joke - Hetook me up on it!
cJFXvqn.jpg

Pretty cool, especially the blue-burst :cool: I'm a fan of 3 pu basses - although the 3 pu's being so close together on that bass probably offer a more bass-centric tone. I have two 3-pu basses with more of a north-south pu spread and love the wider range of sounds/tone they produce. (and can be mixed)

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Pretty cool, especially the blue-burst :cool: I'm a fan of 3 pu basses - although the 3 pu's being so close together on that bass probably offer a more bass-centric tone. I have two 3-pu basses with more of a north-south pu spread and love the wider range of sounds/tone they produce. (and can be mixed)

View attachment 4892909 View attachment 4892913
I’m certainly lovin mine…
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I find that the dedicated tone and volume control for each individual pickup is the secret sauce. Maybe not the fastest bass to adjust on the fly when gigging, but then again I rarely ever messed with my tone settings on stage past the sound check anyway. The tonal flexibility of three independently controlled pickups does make for a fantastic studio bass.
 
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I’m certainly lovin mine…
View attachment 4892928
I find that the dedicated tone and volume control for each individual pickup is the secret sauce. Maybe not the fastest bass to adjust on the fly when gigging, but then again I rarely ever messed with my tone settings on stage past the sound check anyway. The tonal flexibility of three independently controlled pickups does make for a fantastic studio bass.

who makes that???
 
I’m certainly lovin mine…
View attachment 4892928
I find that the dedicated tone and volume control for each individual pickup is the secret sauce. Maybe not the fastest bass to adjust on the fly when gigging, but then again I rarely ever messed with my tone settings on stage past the sound check anyway. The tonal flexibility of three independently controlled pickups does make for a fantastic studio bass.

Having specific tone-blend control on each pu would be good. I'd like to try your bass someday in that regard. I'd favor more treble at the neck-hugger for sure. On both of my 3 pu basses, the neck-hugger is my least favored pu, although having that 'deep bass' option is something I've experimented with, especially with effects.
 
who makes that???
I made it about a year ago. It was a Gluff Flame Maple cap on an Alder semi hollow body blank with a Fender flame maple and rosewood bolt on neck. The tuners are Hipshot ultra light lollipops and the bridge and hard tail are from Philadelphia Luthiers. I designed the control layout as three independent Vol/Tone stacks and custom built the pots. The pickups are thunderbird style EY Bass humbucker pickups with the bridge and center pickups in traditional P/J locations and the neck pickup in the Mudbucker location. Strings are Optima Gold round wounds. It has an incredibly broad palette of tones available and is a dream to play.

Here’s what the rest of the bass looks like…
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AC2ED98B-CA2F-4941-B784-BF655C8BD514.jpeg

E72CB88E-FDD4-423B-BEA3-50DFB9527253.jpeg
 
I made it about a year ago. It was a Gluff Flame Maple cap on an Alder semi hollow body blank with a Fender flame maple and rosewood bolt on neck. The tuners are Hipshot ultra light lollipops and the bridge and hard tail are from Philadelphia Luthiers. I designed the control layout as three independent Vol/Tone stacks and custom built the pots. The pickups are thunderbird style EY Bass humbucker pickups with the bridge and center pickups in traditional P/J locations and the neck pickup in the Mudbucker location. Strings are Optima Gold round wounds. It has an incredibly broad palette of tones available and is a dream to play.

Here’s what the rest of the bass looks like…
View attachment 4892964
View attachment 4892963
View attachment 4892965
View attachment 4892966

Sweet, congrats! Maybe one day I’ll consider doing a build, but I’m pretty new to bass though I’ve decided the Thunderbird is the best fit for me, love mine.
 
Having specific tone-blend control on each pu would be good. I'd like to try your bass someday in that regard. I'd favor more treble at the neck-hugger for sure. On both of my 3 pu basses, the neck-hugger is my least favored pu, although having that 'deep bass' option is something I've experimented with, especially with effects.
Come on down, you can jam on all the basses in the house, plenty to choose from.

Now that I’ve had the BlingBird for about a year I’m finding that I go about dialing it in almost completely opposite from all my other birds. On my other Tbirds I have a tendency to solo the neck pup with the tone at half up or less and maybe tweak in a bit of the bridge pickup if needed for clarity or for the mix.

However, on this bird I usually dial the bridge pickup tone to full bright and vol near max, then blend in the neck pickup volume with tone full off to thicken it up nicely and add heft, finally I use the middle pickup volume and tone to fine tune the overall sound and add mid range richness and punch to the mix. The finished product is an exceptionally rich, complex and full sounding tone, more high fidelity than I’ve ever achieved with a passive bass.

I’d love to hear somebody else with more talent and skill than I have play it.
 
Sweet, congrats! Maybe one day I’ll consider doing a build, but I’m pretty new to bass though I’ve decided the Thunderbird is the best fit for me, love mine.
Thanks!

Tbirds are fantastic basses and come in many flavors. I can’t think of a genre that I wouldn’t use one in. You picked a great bass to start with.

I wish I had discovered them early on, it would have saved me a bunch of money chasing the tone in my head.