I'll be honest... I just like the way the Babicz looks more than the Hipshot (though I like how it looks, too).
I agree. It is more faithful to the shape of the original 3-point.
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I'll be honest... I just like the way the Babicz looks more than the Hipshot (though I like how it looks, too).
Just got a GK 700rb-II yesterday...near mint condition. Looking forward to connecting to my SBX Plus 4x10 and SBX Plus 1x15. What are your settings on the 700-rb II ? I understand you drive two SBX 4x10 cabs, correct?Ah yes, I used to use one, stepped down to a 700RB-II, the 1001 was beyond loud, never could really get it to "open up"
I know what you mean, I thought I was quite clued up on the pre 90s Gibsons but what did I know it turns outBy the way, the Gibson Bass Book arrived a couple days ago. I'm amazed at how many different bass guitars Gibson built that I didn't know about. Apparently Gibson also made some upright basses sometime in the past, but all I know is that they exist in some small number.
Great little book, I'm glad I bought it, not many books I say that about after a couple or three monthsIt's the only way, a close fitting plug is the best fix next to a dedicated tapered plug cutter that has a near pointed base and a matching tapered drill.To avoid reoccurring issues as a result of 'fixes' - the post holes should be plugged and re-drilled for a proper secure fit.
Exactly.Most people would not be able to do the fill and re-drill method properly at home. This is not a hand drill operation. Do the toothpicks and glue thing and call it done.
The truly original was a two point or something like it, with a stop bar. My EB-2 just has a two point, no stop bar.I agree. It is more faithful to the shape of the original 3-point.
I would like an opinion on the Greco version versus the Orville version , actual hands on users only please. I am sort of leaning more towards the Orville but would like to hear from anyone that has experience with either or both
Just got a GK 700rb-II yesterday...near mint condition. Looking forward to connecting to my SBX Plus 4x10 and SBX Plus 1x15. What are your settings on the 700-rb II ? I understand you drive two SBX 4x10 cabs, correct?
Love the HOG reference! Haven't been there in years. Does it still have that funky vibe? It was always rumoured to be run by ex-cons.I played one of theseveral the other day at The House of Guitars, not bad for the price point, I need a real guitar I would consider one of these.
I think our Queen has a Lull as well as a flock of other 'Birds. I know he has Lull pickups in some of those 'Birds. As far as different shaped bass guitars that use 'Bird pickups, I would expect you might get a very similar sound, but I can say that the 2013 EB I have that uses the same pickups and other electronic parts as the 2015 'Bird sounds a bit different. Not a huge amount, but it's there. Going the other direction, I'm very slowly building a Thunderbird shaped Fenderbird (Bumperbird - thanks Kat!) that will have Precision pickups, an ash body, a bolt-on neck, and be a Precision in all but body shape. Once it's built, probably sometime this summer, I can compare it to an actual Precision and see how different they sound. My expectation is not much, since the wood, construction, and electronics will be very similar. The shape and specific pickup will be different, and that's not that huge a difference, assuming I also use the same strings.
My Greco is Thunderbird II single pickup, its very hot, has a RAWR to it that no other bass does, the neck is not very Thunderbird like ( a bit more like a P Bass) and it's not 34" scale. Mine has a Badbird bridge and tailpiece.
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The truly original was a two point or something like it, with a stop bar. My EB-2 just has a two point, no stop bar.
They' re both set neck bases, Orville is more faithful to the Gibson original in terms of the neck, and overall proportions, it uses chrome covered Gibson pickups, that are pretty hot but don't have a lot high treble, mine is a re fin and has a sexy two point.
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My Greco is Thunderbird II single pickup, its very hot, has a RAWR to it that no other bass does, the neck is not very Thunderbird like ( a bit more like a P Bass) and it's not 34" scale. Mine has a Badbird bridge and tailpiece.
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It's close to an Apples vs. Oranges comparison, they're actually that different, I don't prefer one over the other, my fave is the one I'm playing now.
Armmond did spend time in Attica. I know the brothers well, started shopping there in like 69, started working there in 76! I still have a business relationship with them, he'll they are like family.Love the HOG reference! Haven't been there in years. Does it still have that funky vibe? It was always rumoured to be run by ex-cons.
So is it 32" scale?
Thanks, do you prefer the Orville to a more recent Gibson ? I always liked the sound of the original 60's era 'birds but have no experience with the modern ones, we just don't see them much around here except maybe the epiphone version.
33 1/4"........ Not like any other Bird. At one point I had a red Gibson Explorer from the '80s that was 32" - Which is the reason I don't still have it. Should have kept it, was a very rare bass as it turns out.
Not like any other bass in general. I mean, a manufacturer can set whatever scale they choose but it's most usually 30", 32" 34" and for some fivers 35".