Do what I do with it - keep it caged up in the basement and never let it get turned up past about 1.5. It does, in fact, go to eleven, but it doesn't have to. I gigged with it for quite a while until recently, and now I have a slightly smaller Acoustic USA 360 which I do gig with. Moving them is far easier than a 410 back breaker, in my opinion. 150 lbs of tilt-back on wheels beats 70 lbs of dead weight all day every day. All the weight is in the cabinet. The head is the preamp only, and is almost entirely hollow. After you lug around anything with a transformer, a 360 preamp is like picking up a balloon. It's amazing how reliable the old equipment is. The 126 combo I keep at the practice space for one band has needed exactly three repairs in the 35 years I have owned it. It sounded a little ratty, so I got the transistors replaced six or seven years ago, and then it burned up a resistor. It didn't really need the replacement transistors, and I suppose the resistor may not have burned if the transistors hadn't been replaced. The only other repair it ever needed was the giant capacitor. That exploded when the amp was a couple months old. It may have been replaced under warranty, but I don't remember. It should have been, since Acoustic had a lifetime warranty, never mind that I was not the first owner. Acoustic Control is my one really peculiar brand loyalty. Every other preference is more negotiable.