They really are a quality cable at a reasonable price. Including XLRs, I have at least 50 Digiflex cables and I've never had a failure.There was rock on Sat.
@Engle Really digging that Digiflex cable you recommended.
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They really are a quality cable at a reasonable price. Including XLRs, I have at least 50 Digiflex cables and I've never had a failure.There was rock on Sat.
@Engle Really digging that Digiflex cable you recommended.
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Who’s this “we” person you’re talking about.My Hill to die on: We choose our basses more for their looks than their sound as in a mix almost all basses sound the same. We play Thunderbirds, probably, more for their awesome look than their tone.
You could always put some thin tubing over the braided section in the cavity. Thin heatshrink tubing would work - don't have to shrink it.It's why I don't like the braided wire on the Probuckers. Easy for the braid to come into contact with the studs on the pots.
I don't notice any neck dive on my Pro IV.That one probably did dive like a Stuka. The neck on those is bigger, and it has an additional tuner. I have a Pro IV and it's pretty well behaved, even though I removed the active electronics and replaced the pickups with much lighter Lace Alumitones. The three Gibsons I have are all very well behaved, better behaved than the Precision I keep around but hardly ever play any more.
74 and sunny today.We want that weather back, thanks.
Gotta love a nicely shielded bass!You never know what you’ll find under the cover. I’ll take it!
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Blue sky here. And I’m lovin it.It’s raining down here. The beginning of what looks to be another year of higher than average rainfall due to El Niño.
Blue sky here. And I’m lovin it.
interesting opinion, one we don’t share however…..for me it’s about the (sometimes illegal) mahogany and high output (over 9kOhm RDC) humbucker…..if any of my Ps could get closer to this, they would be gigged more often…..My Hill to die on: We choose our basses more for their looks than their sound as in a mix almost all basses sound the same. We play Thunderbirds, probably, more for their awesome look than their tone.
That's a problem! I'm sure our Queen will rectify that problem.i cant find my name on the eternal tbird club roster im sadden and hating it
I always got along well with ox-cart SU carburetors. The amazing intake hiss they make was a big part of my enjoyment of the TR-2 I had as a kid. And the Austin Healy my dad had and the MGB I had in the late 1980s and early 1990s. By 1992, I had to grow up and more or less be an adult because I had a kid. Now he's out of the house, so I can revert to wrestling with English machinery. It hasn't happened yet.carburetor upgrade….going from US built Zenith Strombergs to Italian made Webers….they sound (think vintage Ferrari, Aston etc.) better and outperform the Strombergs…
Gotta love a nicely shielded bass!
I much prefer copper tape to conductive paint, but either is very effective if done right. The insulating tape that’s keeping the output jack from touching the shielding foil on the cavity cover will eventually wear thru. Assuming your cover is plastic, you could easily just remove the electric tape and a small section of the shielding tape (about the size of your thumb nail) then if the jack tip contacts the plastic cavity cover it won’t ground out.
BTW - mind the stray mesh wire on that neck volume pot, it’s getting pretty close to grounding out on the center lug, might be time for a trim job.
All my Epi's are painted (carbon? the paint is black) in the cavity and have a silver film on the lid.I usually use both - 3 full coats of shielding paint on the entire cavity, and copper tape on the inside of the cover and floor to star-ground to. On my '64 II it appears to be aluminum paint, which seems to work. The inside of the cover appears to be aluminum tape.
interesting opinion, one we don’t share however…..for me it’s about the (sometimes illegal) mahogany and high output (over 9kOhm RDC) humbucker…..if any of my Ps could get closer to this, they would be gigged more often…..
Blue sky here. And I’m lovin it.
Appropriate title...Same here in SF - yesterday was the annual R&R Swap Meet at Witers' Tavern under grey skies and drizzle the whole day. There were various sellers of records, clothing and curios and back-to-back bands from noon to 6. (inside ) Even with the weather, there was a steady crowd of die-hards both inside & out. I bought a couple LP's and a couple singles (Walker Brothers & Dusty Springfield) and hung out with musician friends, some who were playing there that day. A visiting musician friend from NYC remarked on the look of the attending crowd, saying you'd never see that in NYC. (older weirdo's and freaks- normal for here!) He used to live in Oakland so he knows the turf, but has lived in NYC for years. Said it's mostly young rich kids at any sort of similar event. We agreed that there were other places like SF/Bay Area like Portland, Seattle and Austin, where there are a similar crowd. Both SF & NYC are competing for most expensive city to live in, but it is easier day to day to live here than NYC.
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interesting opinion, one we don’t share however…..for me it’s about the (sometimes illegal) mahogany and high output (over 9kOhm RDC) humbucker…..if any of my Ps could get closer to this, they would be gigged more often…..