Multipurpose amp and cabinet simulator as well as effects box with a built in tuner function. Made by Zoom.Is "the B3n" a tuner?
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Multipurpose amp and cabinet simulator as well as effects box with a built in tuner function. Made by Zoom.Is "the B3n" a tuner?
I think it's a "sammon".Is "the B3n" a tuner?

A strobe type tuner might be more accurate. On all my basses, once I have the open and 12th fret matching the harmonic falls into place. I will say that my Korg rack mount tuner and my Snark clip on tuner rarely agree, but the difference is minimal, maybe a couple of cents at most. When I was playing out, everybody tuned off the keyboard by ear and string to string harmonics from there. Trust your ears.Then the 12th fret is flat. It’s pretty much one or the other with all my basses. Maybe the B3n has an issue with harmonics.
Multipurpose amp and cabinet simulator as well as effects box with a built in tuner function. Made by Zoom.
I came for the looks and the sound, and I stayed for both.My Hill to die on: We choose our basses more for their looks than their sound as in a mix almost all basses sound the same. We play Thunderbirds, probably, more for their awesome look than their tone.
Gibson Thunderbird Pickup - New, Old Stock Vintage Bass Pickup (1970s - Chrome) | Reverb
Gibson Thunderbird Pickup - New, Old Stock Vintage (1970s - Chrome) | Reverb
For a mere $2190 you could have a set of NOS Thunderbird pickups.
Might be cool, but…
…for the same amount, set of Lollars, and a set of Novaks, and a set of Duncan’s, and a set of Gibson re-issues, and probably some money to spare.
Did the original or 70’s Thunderbirds use three point mounting for the pickups?
Then the 12th fret is flat. It’s pretty much one or the other with all my basses. Maybe the B3n has an issue with harmonics.
One day I would love to build a Thunderbird with a MM bridge and P-neck. But for now, it's all original recipe.I came for the looks and the sound, and I stayed for both.
I think it was only the 76-79 TBs with three screws
After a few days with it, I’m thinking about neck alone, neck + middle, middle alone, neck + middle + bridge, bridge + middle, and bridge alone. The combination not included is neck + bridge. The middle and bridge pickups are roughly the same distance from the bridge as the pickups on. Jazz. The pickups are not identical and this G3 is set neck vs bolt on, but there is potential. I’d want to get a new pick guard to make that change so that I could return it to nearly stock.My 3pu/V-T/pu switch ESP/Grass Roots Bass IV has a 4-way switch. (compared to your 3-way switch - or is it 4?) The 4th option is wired to by-pass the V-T pots straight to the jack. So whatever pu choice/combination you choose gets a clean boost once the 4th switch is switched on. I would love to find the same style of 4-way switch (they are currently on the Fender and Squier VI RI's) but they haven't sold them aftermarket (yet).
I cut the one in the pic from an aluminum sheet - the original was cheap mirrored plastic. What you could do is install 4 on-off mini-toggles to do the same thing. It wouldn't be that difficult to wire and you'd only need to drill four small hoes in the pg. The other cool benefit is all switches off is like a kill-switch, and you have more options for which pu combination you choose.
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I adjust using both fretted and harmonic. Intonation will rarely be “perfect.”Technical question for our resident brainiacs. I’ve read two different ways to do intonation. In both cases, tune as usual, then 1) hold down the string at the 12th fret and adjust the saddle until the open string and the 12th fret are in tune. 2) lightly touch the string at the 12th fret and adjust the saddle until the open string and the harmonic are in tune.
If I do #1, I find the harmonic is slightly sharp. Which is correct? Clearly, there isn’t much difference.
Greetings from an autumn morning by the lake.
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I have been busy not playing the T-Birds as I should but tweaking the Wasp synth I just bought. Mono synth with two oscillators, envelopes, LFO and what not. 20 years with a one osc synths and this is a revelation to me.
After a few days with it, I’m thinking about neck alone, neck + middle, middle alone, neck + middle + bridge, bridge + middle, and bridge alone. The combination not included is neck + bridge. The middle and bridge pickups are roughly the same distance from the bridge as the pickups on. Jazz. The pickups are not identical and this G3 is set neck vs bolt on, but there is potential. I’d want to get a new pick guard to make that change so that I could return it to nearly stock.
Octave harmonics are not normally that far from the open. I usually compare the harmonic and 12th fret. Keep in mind you should press down as much as you would when playing and make the neck is supported so the action is the same as when you're playing.My plug in tuner has 7 positions above and below what it reports as in tune. Using what I called #1, harmonics are one position to the sharp side.
I use an app called Cleartune. I have TC and Korg pedal tuners, but my phone is always with me.Multipurpose amp and cabinet simulator as well as effects box with a built in tuner function. Made by Zoom.
70'sGibson Thunderbird Pickup - New, Old Stock Vintage Bass Pickup (1970s - Chrome) | Reverb
Gibson Thunderbird Pickup - New, Old Stock Vintage (1970s - Chrome) | Reverb
For a mere $2190 you could have a set of NOS Thunderbird pickups.
Might be cool, but…
…for the same amount, set of Lollars, and a set of Novaks, and a set of Duncan’s, and a set of Gibson re-issues, and probably some money to spare.
Did the original or 70’s Thunderbirds use three point mounting for the pickups?