Yes, and we are eternally grateful.Interesting how especially the Brits have taken our uniquely American genre of music and sell it back to us.![]()
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Yes, and we are eternally grateful.Interesting how especially the Brits have taken our uniquely American genre of music and sell it back to us.![]()
Have you seen the Joe Bonamassa videos with Jimmy Barnes?Interesting how especially the Brits have taken our uniquely American genre of music and sell it back to us.![]()
Especially in that color.Beautiful bass!
and we buy it....Interesting how especially the Brits have taken our uniquely American genre of music and sell it back to us.![]()
True enough - the US then had to have it brought "back" to us by a young Brit movement of advocates. It woke-up to the 100% indigenous culture right under our noses.Yes, and we are eternally grateful.
Is JB a Bay Area guy? I'm aware of him as a major contemporary blues guitarist and vintage guitar collector, but actually don't know much else about him.I checked to see if World Records in Bako has her lined up. Unfortunately, nope. You’re buddy Joe has played there.
I played one of his songs with Jason Lane Band. I believe it was called "Just cause you can don't mean you should"Is JB a Bay Area guy? I'm aware of him as a major contemporary blues guitarist and vintage guitar collector, but actually don't know much else about him.
Here's a mix of a DJB tune called Wahtitis:
VP with Cobalt Flats > D800+>Focusrite Saffire
I'm trying to decide if the bass part during the guitar solo is a keeper. I had it doubling the guitar in a few spots, but then Mike redid his solo....
Maybe I'm overthinking it![]()
Thanks Geo! During the guitar solo at 3:17 the guitar used to do the same run as the bass. I might just overdub another bass up an octave in that bit.That's pretty cool Irv, Waht-ever-itis!After 1st listen I played along with it and although some parts I approached (understandably) differently - your feel throughout is excellent. Give us the #s of your bass solo - not clear on that. Are you talking 2:24 -3:00? If so, sounds good from my house.
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Here's a mix of a DJB tune called Wahtitis:
VP with Cobalt Flats > D800+>Focusrite Saffire
I'm trying to decide if the bass part during the guitar solo is a keeper. I had it doubling the guitar in a few spots, but then Mike redid his solo....
Maybe I'm overthinking it![]()
As the guitar solo is featured - your playing behind it seems appropriate.., unless I'm missing something.Thanks Geo! During the guitar solo at 3:17 the guitar used to do the same run as the bass. I might just overdub another bass up an octave in that bit.
Here's a mix of a DJB tune called Wahtitis:
VP with Cobalt Flats > D800+>Focusrite Saffire
I'm trying to decide if the bass part during the guitar solo is a keeper. I had it doubling the guitar in a few spots, but then Mike redid his solo....
Maybe I'm overthinking it![]()
Greco TB-70, is there any timeframe when these were built that might be better than others. Also, are the headstocks large like Epiphone/Vintage Gibson, or slimmed down like the more modern 90’s and up Gibsons?
Thanks, an outside perspective is helpfulAs the guitar solo is featured - your playing behind it seems appropriate.., unless I'm missing something.
I have an eye on an ‘88. I REALLY do not need to buy another bass (or anything really), but I recently had my hands on a Greco Flying V bass owned by an acquaintance and was surprised at how well built it felt. Not to concerned about the pickups as I don’t think the originals are in it, more interested in how solid it’s built and the potential for low action it may have. I have a ‘99 Gibson that no one can seem to setup with reasonable action without a significant buzz on the E, and now I’m gunshy about any set neck/neck through basses.Mine's a '77 and I think the pickup is magical, there's simply no other like it. The headstock is in between the modern Gibson and an older one like a '76 - Much smaller than the needlessly oversized Epiphone.
Thanks Donny!Good stuff!