Best legs in the club!But, but...... my legs are my best feature!
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Best legs in the club!But, but...... my legs are my best feature!
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About 2 minutes before I rolled the B100r behind you all.
With EBCFs, there’s a huge vast difference between pick and fingers. Night and day.because he probably just did it for the feel, not the tone....he would just go to another eq setting to accommodate the difference....this said, fme, the older rounds get, the harder it gets to discern a pick or fingerstyle approach, this can be an advantage....
Pretty much anywhere!Best legs in the club!
Get a room!...
Oh, he's trouble! Give him a beer and turn him loose on the streets of an unsuspecting California town!
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80 in Bako. Spring has arrived.Rain here in the middling Northeast also. Keeping me off my day job...
Well…my ‘15, my ‘77, and my two BaCHs have wonderful necks. I have an Ibby and a Peavy Foundation that are equally great. Too bad the Ibby sounds like garbage.I like it well enuff. Particularly the pickups. The neck isn't as comfy as the 67, but what is?
And there’s that guy with the Neil Young shirt. I don’t feel as old as I look.Oh, he's trouble! Give him a beer and turn him loose on the streets of an unsuspecting California town!
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Yes, on both accounts.Never listen to bass demos without headphones. I saw your original post before you edited it. I guess you were thinking of the Foundations and not the Fusions?
I swear. Gibson needs to bring back the Slingshot. I only got one before they stopped making them. 21/2 inches. They are great for Thunderbird players who like a narrower strap.I bought it for the VP, but find it's not flexible enough. It falls off my shoulder as soon as I sit down.
As I think about it, you make good point and one maybe one not fully intended. In a live mix subtle things like strings can either not be noticed (Ken's valid point)--or something good at home can disappear or could be over emphasized, this being less likely in my experience. I've found that how something sounds at home is almost meaningless in terms of how it will sound in a mix in a big room. (My '64 is completely uninteresting hat home. Possibly my worst sounding bass at home. But live....Monster!The context of a mix is always a game changer for sure (and headphones were on!).
I'd hazard that it's probably just very hard attack with the fingers. If your not really plucking the string, but rather driving through it so it hits the fretboard, you get much more attack. Kinda like how Geddy and the Ox have such hard attack with fingers. I usually just use a pick if I have to do a section that calls for very fast pedaling or specifically a pick sort of scrape attack. When playing chords or double stops I'l usually flick my fingers through so my finger nails are hitting the strings instead, like Rasgueado in Flamenco.A friend is in a band we went to see last night at Liquid Joe's in Salt Lake City. They are very good at what rhey do (mainly 80's harder stuff, Quiet Riot, Motley Crew and the like). I was watching the bass player who played an Explorer and a PJ I couldn't identify (he had a white Gibson Thunderbird that I was disappointed he didn't play, he said it was a backup). I was surprised not that he played fingerstyle and with a pick, but that it sounded very much the same. I asked him how he did it, he looked surprised and said did he didn't know.
Any idea how he did it?
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Yes, Sir. Nothing. Well maybe a '64. Slightly different but I love both equally well.I like it well enuff. Particularly the pickups. The neck isn't as comfy as the 67, but what is?
I ditch the straps sitting down.Pretty simple for me, when I sit, I bypass the straplock and just use the hole 2 spots higher on the strap.
Common saying here as well. The only thing consistent is the inconsistency of the weather.Like my days living in NE LA. If you don't like the weather, give it a minute...it might get worse.
Dude needs a Blackbird.A friend is in a band we went to see last night at Liquid Joe's in Salt Lake City. They are very good at what rhey do (mainly 80's harder stuff, Quiet Riot, Motley Crew and the like). I was watching the bass player who played an Explorer and a PJ I couldn't identify (he had a white Gibson Thunderbird that I was disappointed he didn't play, he said it was a backup). I was surprised not that he played fingerstyle and with a pick, but that it sounded very much the same. I asked him how he did it, he looked surprised and said did he didn't know.
Any idea how he did it?
View attachment 7195331
There’s still the coaster in San Diego. I probably rode tha thing a hundred times once I was old enough. At five or six? There is a place where you are weightless. God I loved that ride.They still have the ring toss on the carousel? I remember going a few times as a kid, but it's been ages.
I guess there's still the Santa Cruz, Big Trees and Pacific that runs over the old SP line. Not quite the same as a full freight train, but it's pretty cool.
This.Your finger tone can really vary depending on where you strike the string (closer to bridge or neck) and how you attack the strings. He might be slapping the string as he plucks, which can do that.