100W to be more than enuff.
In this circumstance my 50w Ampeg PF50 and a 115 would have been enough, probably even too much, but I usually don’t get the opportunity to use FOH and have monitors. We are a loud heavy rock band, and when I want to be heard equal (or over

) drums and guitars, and am relying on my amp only, to fill the room, I definitely need more. Finding the right live rig, one that is small, light and powerful is what I’ve been doing, and hopefully the GK212 and Ashdown is it, but it was way too much for Friday night’s situation. I’m hoping the 8 ohm GK210 will be the answer when I need to keep the stage volume down. I have plenty of amps, all tube 20w, 50w, 75w, 100w, 200w. Then the 500w, 600w, and 800w solid state. I’m pretty sure my 100w V4B and it’s companion 212 cab would work everywhere we play, but it stays at one of my rehearsal spaces, which is a 2nd floor (technically 3rd floor) room up 2 flights of stairs. I’m fortunate enough to have enough gear that I can leave rigs at both spaces undisturbed, and have a selection of live rigs at home ready to load up. But, I’m always afraid of being underpowered in situations where there’s no FOH for anything but VOX and I have to compete with two loud guitars.
Another thing that a lot of you might be used to but I haven’t experienced is having yourself and the rest of the band coming at you from in front of you, through monitors, and only hearing the drums from behind you. In this case it was weird and I really didn’t have any of me in the monitors, I think I only heard bass from the back of the mains, and the subs that were under the face of the stage facing the audience.
I mentioned to my guys that I need a Winters gig (small bar, low stage, pa for vox only) to cleanse my palette of Friday night’s stage experience.
@JIO knows, Winters is just a downright fun place to play, and many of us around the SF bay have played there A LOT, and it kinda feels like home at this point.