Last night at rehearsal was one of those nights where everything seemed to sound “better” than normal. On Tuesday night I brought my recently
refreshed 2013 Gibson EB (EB4 v1 maybe?). New white paint and a set of Gibson vintage reissues from a 2021 NR.
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It sounded
ok Tuesday night. But last night with no changes to the rig or anything, it really sounded fantastic! It’s a really fun bass to play, lightweight, low action with no buzz, and a great tone. Currently has an older worn in set of Ken Smith Rock Masters 45-105.
Funny how things can change from night to night in the same room.
I may move to the KS Metal Master 50-105. One thing I’ll definitely be doing is putting a thumbrest in between the two pickups to get my right hand hitting the strings a little further away from the bridge. This bass sounds great when I’m hitting the strings in between the pickups. I just need an anchor/reference/landing point there.
I have managed to figure out a way to add the thumbrest without putting any screw holes in the body, but just one through the pickguard, and having the other side notched and resting on the pickup ring. It will require a lot of filing and shaping (and patience).
I did something similar with my white Epi VP:
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In this case I utilized the screw holes for the rings and put dummy screw heads in the normal spots, glued in with superglue. I can remove the thumbrest and there will be no evidence it was ever there.
Making on for the EB will be trickier, as I have two rings and a PG to compensate for. It’ll be more like how I have on my Jazz and P-basses:
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In both cases the only screw(s) that actually go into the body are going through the pickguard, so I can remove the thumbrest, put the original PG back on and it looks like nothing was there.
Clearly a thumbrest is a huge crutch for me.