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Thunderbird Club

Hmmm....
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Cool interview with Peter Cetera (misleading blurb):

Also, I highly recommend Kathy Valentine’s memoir, All I Ever Wanted.
Seconding All I ever Wanted.
I just finished a Zeppelin biography by Bob Spitz. The first half was fascinating (except for the underage groupies).
It's no wonder some of their shows sucked with the amount of substance abuse that was happening.
 
Stone cold dead as far as I know but I'll check with my buddy and see-
I traded a Univox cab for a Blackface Champ in pieces many years ago. It was pretty easy to get it working. I remember replacing the filter caps.
I had an 8 ohm speaker in it initially, but it sounded much better with a 4 ohm Weber.
 
Speaking of refins @Chucky Stiletti I met one of the owners of Mike and Mike's Guitar bar while at work today, I mentioned your '64 II, he immediately remembered it :) Very nice guy too!
I liked that shop. I’m glad they hadn’t priced that blue Mosrite yet when we were there. I would have been in big trouble…
 
Seconding All I ever Wanted.
I just finished a Zeppelin biography by Bob Spitz. The first half was fascinating (except for the underage groupies).
It's no wonder some of their shows sucked with the amount of substance abuse that was happening.

They were not good when I saw them, sloppy and boring (35 minute drum solo, even the P-I's reviewer commented), but I do think they were a great band in the studio, "When the Levee breaks" is an all time fave.
 

It started its life in 1969 with a sunburst body and a maple fingerboard and a fat headstock - Manny's Music in MYC custom-painted it black for him when he purchased it. Later mods David did to it, including an XLR connector, a Gibson PAF pickup installed between the bridge and middle pickups in the 70's, and a Kahler tremolo in the 80's left huge holes that had to be filled when he returned to a standard Fender configuration.

I wonder what he or his luthier filled them with?

Then a series of different necks including a 1963 with a rosewood fingerboard, and later Charvel, before going with a Fender 57 reissue style and different single coil pickups.

One mod I found interesting was a secondary pickup selector switch that allowed for combining the neck with the bridge pickup or all three at once-

The price is definitely based on who owned and played it since it was far from original and post-CBS at that-

For those of you who may be interested- the whole history of the guitar may be found at -

 
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IMHO it’s always great to have a bass that’s super flexible, but repeatability is equally important. One without an equal amount of the other is sub optimal. I can’t tell you how many times I’ve found the perfect bass sound for a given song using a super flexible bass only to find that I can’t easily get that sound back the next time I want it because of all the interdependent settings on the bass - it’s an endless tone chase.

My pink sparkle Acasia NR Tbird with a John East active preamp is the perfect example of sub optimal. The controls are Vol/Pan, neck bass/treb/brite, bridge bass/treb/brite, mid cut boost/mid sweep and there are three frequency sweep pots (high, med, low) on the board along with a gain pot for each pickup. The possible settings are mind numbing and getting anything back to where it was before you changed it is beyond a challenge, it’s a chore.

I don’t want to rag on the bass in question, it’s a beautiful build that looks to be very high quality. I’d buy it if it were priced differently, but I’d also mod the control layout on it to add flexibility, it already has all the repeatability it needs.

I would be interested to hear others thoughts on the topic of a kill switch. Is it that useful? If desired, where’s the best location? And once located, what’s the best design (push/push button vs toggle switch).
Earnest and thoughtful mode:

You have a good point- I've never trusted a guitar or bass that would supposedly do anything based on the flip of a switch- besides I'm lazy and don't want to spend too much time finding the sound I want- hence my affinity for Fender P and J basses. AND of course my G2 Thunderbird!!

Tongue in cheek mode !!!

You make a good point but if there were such a thing as a bass that could do everything, it might seriously undermine the rational for owning 20 different ones (or more).

To that point I answered a survey thread on the Warwick Forum on how many basses one owned, thusly-

"I plead the fifth on this one- could I just say how many I purchase per year or how many white ones I own?


Regarding the kill switch, some guitarists like them for dramatic effect or they'll toggle the pickup selector switch in such a way as to emulate one-
 
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