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What exactly are you up to Mr. Chuck?
Changing the nose or camera angle?
Mine burn up.Same gummies as me?
just some body work and another coat of Big Bad Orange....What exactly are you up to Mr. Chuck?
Are you doing a refin on the X ?
how cool, small world...Speaking of refins @Chucky Stiletti I met one of the owners of Mike and Mike's Guitar bar while at work today, I mentioned your '64 II, he immediately remembered itVery nice guy too!
What's an IME
Seconding All I ever Wanted.Cool interview with Peter Cetera (misleading blurb):
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“After the set, Hendrix came knocking on the dressing room door and said, ‘I want you to come on tour with me’”: Chicago bassist Peter Cetera reflects on signing for Columbia Records, opening for Jimi Hendrix and why Paul McCartney changed everything
The newly named Chicago were invited to open for The Experience on several dates during their 1969 US tourwww.guitarworld.com
Also, I highly recommend Kathy Valentine’s memoir, All I Ever Wanted.
Humour me a minute.
This was a number 1 hit here in 1968 and I remember it well!
@Engle you may remember the The Irish Rovers ?
I traded a Univox cab for a Blackface Champ in pieces many years ago. It was pretty easy to get it working. I remember replacing the filter caps.Stone cold dead as far as I know but I'll check with my buddy and see-
I just clued in it's the 17th in Oz.Lá Fhéile Pádraig Sona Daoibh
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Henry Lawson is a famous Australian poet of Irish Heritage.
I liked that shop. I’m glad they hadn’t priced that blue Mosrite yet when we were there. I would have been in big trouble…Speaking of refins @Chucky Stiletti I met one of the owners of Mike and Mike's Guitar bar while at work today, I mentioned your '64 II, he immediately remembered itVery nice guy too!
Seconding All I ever Wanted.
I just finished a Zeppelin biography by Bob Spitz. The first half was fascinating (except for the underage groupies).
It's no wonder some of their shows sucked with the amount of substance abuse that was happening.
Earnest and thoughtful mode:IMHO it’s always great to have a bass that’s super flexible, but repeatability is equally important. One without an equal amount of the other is sub optimal. I can’t tell you how many times I’ve found the perfect bass sound for a given song using a super flexible bass only to find that I can’t easily get that sound back the next time I want it because of all the interdependent settings on the bass - it’s an endless tone chase.
My pink sparkle Acasia NR Tbird with a John East active preamp is the perfect example of sub optimal. The controls are Vol/Pan, neck bass/treb/brite, bridge bass/treb/brite, mid cut boost/mid sweep and there are three frequency sweep pots (high, med, low) on the board along with a gain pot for each pickup. The possible settings are mind numbing and getting anything back to where it was before you changed it is beyond a challenge, it’s a chore.
I don’t want to rag on the bass in question, it’s a beautiful build that looks to be very high quality. I’d buy it if it were priced differently, but I’d also mod the control layout on it to add flexibility, it already has all the repeatability it needs.
I would be interested to hear others thoughts on the topic of a kill switch. Is it that useful? If desired, where’s the best location? And once located, what’s the best design (push/push button vs toggle switch).
Similar to Chrysler EV2?just some body work and another coat of Big Bad Orange....