It's difficult times like these that make me glad I have several around to play and thus drown my sorrows![]()
Drown in the real thing.
Take me with you.
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It's difficult times like these that make me glad I have several around to play and thus drown my sorrows![]()
not untypical - kinda' like a press leak... it'll eventually happen![]()
The leaks come true, sooner or later.
Drown in the real thing.
Take me with you.

Gives us all the chance to put a few more dollars away towards the prize - I'm okay with that.
There's a Green '76 Bird right next to me, I'll be hitting the 'shed for an hour - to hell with the neighbors![]()
The leaks come true, sooner or later.
View attachment 1175135 Hi guys. Not wanting to derail, but thought I'd ask if anyone has had this happen. I spent several hours in the shed over the last several days. Split time between my Birds and my Precisions. Developed this bruise; doesn't necessarily hurt, but I tracked the cause down to the Ps. The only way to avoid it is to sling them low like Simonon. Not the best position for fretting. I feel like I'm eighteen again. Another reason why I 'm preferring my Birds more and more.
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^ As of today 7/10/2017 my Sweetwater Rep called and let me know that it will be September before they ship the new Thunderbird.
^
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It's really not a matter of the specific bass or how you position it, it's your right hand technique. The way to start addressing it it to look at as many vids as possible of full-time/professional players (as in, those who play a lot) and study their right-hand technique. You'll see a variety of approaches and it's a matter of seeing the approach/style closest to the one you want and emulating it. Right hand technique that causes problems is the issue - not the bass or position.
Of course the Fenders are to blame! Everyone knows they are ergonomically inferior to Gibson basses.
Seriously though, what you said, although bound body Rics will put a nice dent in your forearm.
It's really not a matter of the specific bass or how you position it, it's your right hand technique. The way to start addressing it it to look at as many vids as possible of full-time/professional players (as in, those who play a lot) and study their right-hand technique. You'll see a variety of approaches and it's a matter of seeing the approach/style closest to the one you want and emulating it. Right hand technique that causes problems is the issue - not the bass or position.
Thanks for that JIO.
It's weird though. My right hand position on the two Birds, my Ibenez and even my Mustang seems fine, feels perfectly natural and there is no pressure on the arm. I play with a floating thumb and a fairly light touch on most songs. And I can play really fast when called for. I'll take the advice and bone up on right hand technique watching players on YouTube. I'll start with Dunn and go from there...One thing I've started doing differently though is standing all the time when practicing. I used to sit more. Maybe that has something to do with it?
View attachment 1175135 Hi guys. Not wanting to derail, but thought I'd ask if anyone has had this happen. I spent several hours in the shed over the last several days. Split time between my Birds and my Precisions. Developed this bruise; doesn't necessarily hurt, but I tracked the cause down to the Ps. The only way to avoid it is to sling them low like Simonon. Not the best position for fretting. I feel like I'm eighteen again. Another reason why I 'm preferring my Birds more and more.
Behold!
Interesting. I'm relearning how to use a pick (it has been years since I could really play with one) which necessarily requires palm muting. For me it is a totally different feeling hand position. It is a slow go, but I'm working on it. I didn't think my right hand technique was an issue, but now you have me thinking. Back to the shed with YouTube I go. Thanks for the tips.Developing routine patterns of approach (like only sitting) make changing habits hard. Without dictating how any player "should" play - the main issue is not to play in a way that develops problems. For me, the same position I use sitting I use standing. It's kind of a gold standard. The other point is to watch resting your wrist against the edge of the body. I palm-mute a lot but when I do my whole hand is resting on the body. (another reason for a nice elbow bevel) - Think stress on interface and work to eliminate it.
Personally, I use my (right hand) pinky as a stilt on the body while I articulate - that and my thumb against the (mostly) E string - but ready to it move when needed. (and use it at times) Right hand technique is where the rubber meets the road - hey, Jamerson only used one finger!
Interesting. I'm relearning how to use a pick (it has been years since I could really play with one) which necessarily requires palm muting. For me it is a totally different feeling hand position. It is a slow go, but I'm working on it. I didn't think my right hand technique was an issue, but now you have me thinking. Back to the shed with YouTube I go. Thanks for the tips.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
^ As of today 7/10/2017 my Sweetwater Rep called and let me know that it will be September before they ship the new Thunderbird.
^
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Ok, I'm starting to learn with a pick. I'll keep an eye out.Interesting. I'm relearning how to use a pick (it has been years since I could really play with one) which necessarily requires palm muting. For me it is a totally different feeling hand position. It is a slow go, but I'm working on it. I didn't think my right hand technique was an issue, but now you have me thinking. Back to the shed with YouTube I go. Thanks for the tips.