• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

I got rear-ended by a Probe once.

But I'll leave my personal life out of this.

:roflmao::roflmao::roflmao:

You too?! :roflmao:

I knew it would come to this... :roflmao::roflmao::roflmao::roflmao::roflmao::roflmao:

The way Rotosounds USED to sound. When they had silk on both ends and only came in nickel...like John Entwistle Live at Leeds playing thru HiWatts.

Rotosound didn't make stainless rounds until the competition forced them to. Who needs them if you change strings every gig, which Entwistle did (or rather his techs)? From my experience all the other Roto endorsers got plenty of sets to allow them to change whenever they wanted.

I don't like stainless rounds, too much friction compared to nickel. SS Flats are fine. IMO,YMMV.

How do you think the Rotosound Roto's compare then? Those are NPS without silks and sound pretty good to me...

It was supposed to be all high tech sounding wasn't it? Space Probe etc
Ok that sounds a bit wrong also. :sour:

All this probe talk reminds me...
I had a gastrocopy & colonoscopy yesterday. Dr wants to move me up from 2.5 & 5 year cycles to 3 & 3 years now.
Had a polyp taken for testing. Never had that before. Will find out in a couple of weeks but not expecting anything bad.

Information overload!!!

Hope the tests turn out negative! :)

While I haven't had any blow-back on my TBird purchases, I had to do a self-eval after buying Dorothy the ruby red Epi. THAT was an impulse purchase and it just hangs on the wall as art next to my Alpine White Classic Pro. The difference being I actually play the Classic Pro.

Several of mine haven't seen action yet, since the band is on a temporary hiatus... But I have every intention on keeping them all in rotation when we are gigging again.
 
:roflmao::roflmao::roflmao:

How do you think the Rotosound Roto's compare then? Those are NPS without silks and sound pretty good to me...
I last played them probably six years ago, they didn't impress me as being better than EXLs. I tried and liked the the Ken Smith Bass Burners NPS, so I haven't tried Rotos since.
 
I'm so happy i got the Classic Pro when i did.
Who knows how long it'll be before we see a Vintage Pro.

Even when it's out, I'm sure it will take nothing away from your Classic Pro.

I agree, Ken. Looks-wise it's going to be a hit but depending on the P/UP's used, it may not measure up to the Gibsons and Classic Pro's.
 
Even when it's out, I'm sure it will take nothing away from your Classic Pro.
True, but I think when we all think of a Thunderbird, I'm pretty sure a good few of us think of a classic 60s one with chrome covers. They have the growl we love. And if the new Vintage Pro lives up to the model it recreates, I'm going to be sad indeed ;-; not to say the Classic isn't great. It's just close, but not quite Carling (British advert for you non-Brits)
 
  • Like
Reactions: kat888 and theFixer
Think they will ever bring that line back? Any truth to the rumor that the strings were wound at proper pitch tension?
In the R&D phase, they measured the amount of force required to tune the appropriate core wire for each of the different size string (they measured several of each to make sure they got a good number). When the winder found out he/she was setting up to run American Flyers, they had to go get the floor supervisor, who would come & adjust the core tensioner to a predetermined setting, and the whole batch was run at that setting. The tensioners were pneumatically controlled, and the regulators were the same ones you & I can buy at Home Depot for less than 5bux each. Precision was elusive, and not diligently sought after. From a winder's perspective... they were just another string. Other than you, I've never met anyone who used them... but they were always quick sellers at the local music stores, so there musta been some kinda thang to 'em. I never used 'em, cuz I'd already become biased against NPS. You asked if I thought they'd bring 'em back. I really have no way of knowing for sure, but I wouldn't be surprised if they already have. The guitar string game is more competitive than you might think. They don't come with a big profit margin, so volume (quantity) is the only way to make any money. As I'm sure you can imagine... true innovations with such a simple product, are hard to come by. Manufacturers are constantly looking for an edge or a gimmick to help push their strings into the number one slot. The typical sales schmaltz like flashy or unique packaging, promises of being new and/or improved, and of course... player endorsements, are key elements. When they could come up with something (anything) different about the manufacturing process... they'd go crazy with the hype. New packaging... new names... even new brand names would crawl up out of the wood work (Markely printed their own packaging, so that was pretty easy to accomplish). GHS did the exact same thing. Because of all of this... I don't get hyped when I see a new package on the rack. I like to watch for products that offer something truly different or innovative, but 99% of the time it's a re-ish of an old idea in a new package, or it's nothing but the package itself that's new.
 
I have a set on order. What properties do you personally like from strings?
That they sound good to my 71 year old ears. I don't overthink it. I also don't use anything between bass and amp except a cable.
 
As an eBay Associate, TalkBass may earn a commission from qualifying purchases.
IMG_5409.JPG


I prefer the look of a classic. I'm not making PG's any longer but I'm still selling the vinyl graphics.