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Thunderbird Club

2 in a PJ configuration!
NO!

Yes.

Mahogany Thunderbird wings on a laminated maple neck. Bound Draig headstock. Soft-V neck profile, 1-5/8" width, small vintage frets, fake ebony fretboard, transparent purple finish, Babicz bridge, clovers, no pickguard. Hardware all chrome, of course. The maple through neck, raised as it should be, would be lighter than the mahogany wings. That would look spectacular.

I would have to sell both kidneys.

A few thoughts off the top of your head?
 
EB-3*

Before you came along these parts, there was a bit of a story about it.
Long story short, I bought an extra Epi 3-point bridge off someone, and it was chrome. The day I went to pick it up (from the mail place) I stopped in a pawnshop... guess what was sitting on the wall? A white Epi EB-3 in very nice shape but missing... you guessed it the BRIDGE! And for less than $100 all together too!
Yeah sorry, EB-3. Saw a vintage white one with the slotted head the other day...got a schwingy..
 
Map updated :)

o-ENGLISH-COUNTIES-GOOGLE-AUTOCOMPLETE-900.jpg
 
Additionally, my amp goes WAY beyond your recommendations :laugh:
Though I personally am not much of an effects guy... I have no issue with those who are. My commentary was directed squarely at those who squeeze all the organic nature and actual TONE out of their sound, and feed us an earful of what they've turned into little more than an electronic buzz. I just gotta shake my head & laugh when I see somebody with a $3500 PRS, sittin' in front of a big pedalboard (which typically has at least 2 different distortion/overdrive pedals), running through an effects loop on a modern $3500 amp head (commonly with 2 - 4 different gain stages of its own), and pumping it through a boooooteek speaker cab with "specially selected" speakers in it. Invariably... the speed noodling begins, and guess what... they sound just like the kid you saw at GC last time you were there, who was playin' a used 200 dollar sweat-shop produced import guitar through a used 20 watt bargain basement 1x10 combo... except louder:meh:.

I'm not gonna tell anyone how to spend their money... but I don't care how much it cost, what brand name is on it, or how many hours you wasted spent "dialing in your sound"... I'm callin' bullsh!t to yer face if you try to convince me that the giant mosquito that you're trying to shove in my ear holes, is "tone".
 
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I didn't use it on last night's gig and I didn't wanna spout bad info, but in looking at it(right now), it has 1 input and 2 outputs: 1 dry, 1 "effect out". I don't have(OK, lost)the book of words but looking at the unit I think it might do what you want. Mine's kinda scratched up, but if you pull up a pic you'll see the set up on the left side. I'm gonna try the "splitting" thing-I have a phaser(set on "stun")somewhere around here. I never thought of doing that, but it'd be great for our trio gigs. Damn, ya made me think! And I'm barely awake.:confused: Unfortunately-for me, at least-it means schlepping a 2nd amp. Ah, the things we do for our craft.;) ADDENDUM: OK, I hooked it up. More wires/cables,etc. It does exactly what you wanted. Biggest problem(besides the wires thing):getting a balance between the 2 amps. IDK if other octavers can do that, but the Micro POG does!
Very cool. Thanks again.
It’ll give me something to google over the next couple of weeks. :thumbsup:
 
Selling off all the fat, getting lean and Spartan here. I figure the day will come when it's time to stay off ladders and planks, maybe ill look into getting more work as a music -can.
So I sold a big amp and got one of these...

View attachment 3113676

That little tiny box makes quite a bit of noise. Simple +/- eq section, kind of a dynamic gain at input and plenty of volume. Fits in a pocket. Crazy. Makes hauling-in to a gig way more fun after a day of pushing tools around.

I got mine at GC, it was their last one (demo unit). It was missing the feet and 4 of the knobs. Yeah that's weird, but they gave me $50 off the selling price, so I bought the "pro" coverage for $60. That means If I pour a beer into the top vent in the next two years, they'll send me a new one. I thought that was kind of fun they'd suggest I do that and get another one with feet and proper knobs on it...
Wutnaheck is that li'l thang?
 
Though I personally am not much of an effects guy... I have no issue with those who are. My commentary was directed squarely at those who squeeze all the organic nature and actual TONE out of their sound, and feed us an earful of what they've turned into little more than an electronic buzz. I just gotta shake my head & laugh when I see somebody with a $3500 PRS, sittin' in front of a big pedalboard (which typically has at least 2 different distortion/overdrive pedals), running through an effects loop on a modern $3500 amp head (commonly with 2 - 4 different gain stages of its own), and pumping it through a boooooteek speaker cab with "specially selected" speakers in it. Invariably... the speed noodling begins, and guess what... they sound just like the kid you saw at GC last time you were there, who was playin' a used 200 dollar sweat-shop produced import guitar through a used 20 watt bargain basement 1x10 combo... except louder:meh:.

I'm not gonna tell anyone how to spend their money... but I don't care how much it cost, what brand name is on it, or how many hours you wasted spent "dialing in your sound"... I'm callin' bullsh!t to yer face if you try to convince me that the giant mosquito that you're trying to shove in my ear holes, is "tone".
You'd love me and my cable then :roflmao:
 
... and your impression?
I like it. The gain and volume interact in a way similar to the GK thing- lo gain and hi vol for clean and shiny... hi gain and watch-the-volume for 'darker', woofier tones.
Eq is active +/-, and though not as surgical as the TE graphic, has a similar baked-in sound which I like.
It's got convincing heft, seems to make its own hear-able sonic space in a mix. Great big lows, pushy mids and a nice ear-smacking top end are all pretty impressive to me.

Little booger's got all the basics: Effective enough eq, dynamics from the gain stage (incl a compression function at high settings), DI, and headphone jack for quiet ptactice, if you practice stuff amplified, which I really don't, but hey.
 
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EB-3*

Before you came along these parts, there was a bit of a story about it.
Long story short, I bought an extra Epi 3-point bridge off someone, and it was chrome. The day I went to pick it up (from the mail place) I stopped in a pawnshop... guess what was sitting on the wall? A white Epi EB-3 in very nice shape but missing... you guessed it the BRIDGE! And for less than $100 all together too!
Great story!
How do you like the EB with the 18" flip top? Is it a good pairing or is it too Woolley?
 
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