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Or in my case, up that way.(from the Stuart area)I bought this one from the original owner about 8 yeas ago. Couldn't find an L-2000 so he had the extra pickup added as soon as he bought it. Ebony board.
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You're welcome to revisit the past if you're down this way.
Wouldn’t that be a Thunder-P?Good thing I decided to rewire the bass, the tone pot is shot. Other than a quick neck adjustment, it's killer. When I bought my new car I couldn't fit the tbird hard case into it, the neck dive was always killing me. Sold the silverburst and waited until someone had a Cream Embassy, so now I have two basses with tbird pickups and sound, just not the body shape. I play the snot out of the P Bird in my avatar.
I'll take that as wellWouldn’t that be a Thunder-P?
I’d love to try another early 80’s one again some day!
Btw, played my Drake that you reimagined/rebuilt tonight. That bass is such a powerhouse!
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Glad to see it getting some love! When I get around to it I willThe Goths are worth dealing with because they are basically good stock. You should start a start-to-finish project thread in Luthiers Corner.

I saw it as an attempt to make a Fender that looked like a Gibson - which for anyone wanting a Fender would not generally gravitate to. So logically maybe they thought a Gibson player would be attracted to a Fender that looked like a Gibson - but they don't know Gibson players very well do they... At best it looks like a Gibson, sounds sorta' like a G&L and has a Fender hs badge. (did I leave any company out?)
Shoulda told him that if your tone is too bass heavy he isn’t looking for a bass player, but a guitarist.I've been attending a Tuesday night jazz ensemble/class at the local music school. The instructor complained about my tone being too bass heavy until I soloed the jazz PU on my Jazz Bass Special - basically creating a "Jaco" type tone.
I'm going to do some experimenting with my VP bridge PU and amp tone controls to see if I can something close to that.
Don't people want a bass to sound like, IDK, a Bass?Shoulda told him that if your tone tontoo bass heavy he isn’t looking for a bass player, but a guitarist.

If it was a regular band situation, I wouldn't accept being told what my tone should be.Shoulda told him that if your tone tontoo bass heavy he isn’t looking for a bass player, but a guitarist.
If it was a regular band situation, I wouldn't accept being told what my tone should be.
The other weird thing is being told to solo without worrying about holding down the form...
@GonePlaid may have some pointers for the second item...If it was a regular band situation, I wouldn't accept being told what my tone should be.
The other weird thing is being told to solo without worrying about holding down the form...
Might be hard to do with Humbuckers. On my FrankenGoth I installed coil split capability so I can run in Humbucker or single coil on either pup. It does in fact hang right in that honky, quacky, nasal Jaco jazz tone when dialed in right. BTW I've never liked that tone nor found it to sound good in the types of music I play. If I was in a three piece Jazz ensemble it might be a different story. But for darn near everything else out there a P bass split coil or Humbucker will do the trick.I've been attending a Tuesday night jazz ensemble/class at the local music school. The instructor complained about my tone being too bass heavy until I soloed the jazz PU on my Jazz Bass Special - basically creating a "Jaco" type tone.
I'm going to do some experimenting with my VP bridge PU and amp tone controls to see if I can something close to that.
In 1969, while attending Miami-Dade Junior College, I had a free period between classes. There were 2 jazz labs going in the music department but only 1 bassist. I volunteered to play with the 2nd band to 'help out'. I didn't expect to have my @$$ kissed but I also didn't expect constant criticism of my tone and 'sound'(I was using a cobbled up amp). Constructive criticism woulda been OK-I had never read bass parts b4, being a converted saxist-but this wasn't an attempt to educate, improve, or otherwise help me, so I just stopped going. BTW, I wasn't majoring music so it didn't 'hurt' me.If it was a regular band situation, I wouldn't accept being told what my tone should be.
The other weird thing is being told to solo without worrying about holding down the form...
I've never been a huge fan of long bass solos. I can solo, but I'm a self taught play-by-ear rock bassist, so it's strange to be asked to solo over those jazz forms.If i was asked to solo, my body would immediately seize up, i'm just not that kinda player.