• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

I'm always like this. Factory stock wiring. No alterations necessary.

I've made too many modifications. Wish i still had the stock wiring.
I pretty much did all my own rewireing in the '70s. Unfortunately I did most of it in the dark and without a manual (not sure how I survived). I now am what I am, all mixed up and permanently set. :cool:
 
Yes that's my approach. I just try to play the melody to start off with. I find if I've been playing a lot, I can usually come up with some expressive stuff - and if buddy wants to hear it with that nasally jaco tone, so be it!
exactly. Jaco always emphasized "know the melody in your sleep, the rest will come"
 
Jaco was self taught too...

Oh, i know. But if i'm gonna dig a Jazz bass player, it's this guy. No dissing Jaco, just not a fan.

download (2).jpg
 
I don't mind bass solos as long as that's what they are. Think Fleetwood Mac Chains, killer bass solo - but that's because it freakin sounds like a bass and because it's short enough in duration to be considered a lead in as much as a solo. Those I love.

What I don't care for are the wankfest 2 minute long baritone guitar territory exhibitions. I'm no expert on freeform Jazz Trios but what little I've listened to I really don't like. Always came across to me as three separate musicians simultaneously doing their own improv thing with their favorite licks and progressions within a set key and tempo. Im sure it takes talent, but so does being shot out of a cannon, and that doesn't interest me either.

Now blues on the other hand sounds like Jazz with a sole and purpose. It can be just as freeform and the bass player can use the same basic licks and progressions in the right key and tempo but it all move together and the bass is expected to sound like a bass.
Exactly. Someone(BL?)calls a tune and a tempo; 1st-maybe 2nd- chorus is the tune. Then everyone goes ape-doodoo more or less within the chord structure for X number of choruses. 1 or 2 choruses of the tune and out. WT7? All the while the drummer is throwing in random kicks and accents that have nothing to do with what anyone else is playing.:confused:
 
Exactly. Someone(BL?)calls a tune and a tempo; 1st-maybe 2nd- chorus is the tune. Then everyone goes ape-doodoo more or less within the chord structure for X number of choruses. 1 or 2 choruses of the tune and out. WT7? All the while the drummer is throwing in random kicks and accents that have nothing to do with what anyone else is playing.:confused:
ape-doodoo :roflmao::roflmao:
 
I freely admit to being 'old school'(and just old)but I've always felt that the bass is the base-as in foundation-for the band. I acknowledge the talent and time spent to do the jazzier styles of playing but I'm not interested in listening to a night of it or trying to emulate it. Or I'm too lazy. Hmm.:eyebrow:
 
Exactly. Someone(BL?)calls a tune and a tempo; 1st-maybe 2nd- chorus is the tune. Then everyone goes ape-doodoo more or less within the chord structure for X number of choruses. 1 or 2 choruses of the tune and out. WT7? All the while the drummer is throwing in random kicks and accents that have nothing to do with what anyone else is playing.:confused:
My wife calls that messy jazz and she absolutely hates it. I get tired of it pretty quickly myself especially if it’s flashy show-off wanking
 
just start with the melody and take it from there. in some instances, just playing the melody qualifies as a solo..

There are so many reasons to hate Billy Sheehan, but the guy can groove. And he can solo. When he solos (in the right group) he can do it simply and extraordinarily well.



Long solos (guitar, drums, bass, or anything else for that matter) bore me to tears. When I see the rest of the band walk off stage, I want to leave for a beer.
 

Latest posts