although I currently have none, I REALLY dig lacquered maple fingerboards. There's a "snap" to them I don't get from rosewood. If I'm not mistaken, I believe this was one of the design considerations for Entwistle's Fenderbirds as I remember reading how much he liked the Fender "blonde" boards..Both Michael Tobias and Roger Sadowski insist the most noticeable tonal material is fretboard wood. They would know better than me. Most of my basses are Ebony, rosewood or Pao Ferro, but really I just prefer the look/feel of dark fingerboards that aren’t too heavily lacquered. That said, I’ve had some amazing basses with maple boards. By now I guess I’ve played too many basses to say anything is ‘better’ than anything else

