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Thunderbird Club

Nazareth, I saw them about '75 or '76, sat out front of the Paramount in Seattle from noon on. Sat about 8 rows back on Pete Agnew's side of the stage, he played an EB-3 through 3 Marshall stacks, F*&%^$@ roared! I can only imagine what it must have been like to play a hugh rig like that.
I'm a little bit Jelly of you my Queen. Naz is/was a highly underrated imho.
 
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My first recollection of a Thunderbird on stage was in July of 1975 at the Civic Center in San Jose California, I had just graduated from the 10th grade and won tickets to a local concert on the KSJO or KOME radio show. The band on tour was Aerosmith And it was their Toys In the Attic Tour.

I remember the lead in on the song Sweet Emotion and being blown away by their bassist who was playing a really cool looking bass that wasn't shaped like anything from Fender that I had ever seen. Up until then the only Gibson basses I had noticed were the EB basses and some ES style hollowbody basses. I didn't take up bass playing until many years later but always had the desire in the back of my mind to rock a bird someday.

Here's a clip of Aerosmith playing Sweet Emotion at one of the venues on that tour in '75...

I was never much of an Aerosmith fan, they were good and all but they just didnt hit my vibe button, if you know what I mean. UNTIL! My wife wanted to see them play in Alpine Valley (Troy) Wisconcin. We went and they had this little stage maybe 20'x20' or 25'x25' out in the middle of the grass, we sat next to that. Run DMC played, did a great job. Kid Rock was up second and I was pleasantly grooving, the beer always helps well and the pot everyine was smoking didnt hurt either. Then Aerosmith comes on stage and in the middle of the second song Steven Tyler says "Do you guys see that stage out there? We need you to move so we can get to that stage." We were right in frint of Steven Tyler for the rest of the show! I can definatly say they kick some major boooty!
 
Nazareth, I saw them about '75 or '76, sat out front of the Paramount in Seattle from noon on. Sat about 8 rows back on Pete Agnew's side of the stage, he played an EB-3 through 3 Marshall stacks, F*&%^$@ roared! I can only imagine what it must have been like to play a hugh rig like that.
Nazareth at the Paramount would be an odd combination.

It's about as odd as seeing the Dead Kennedys at the Beacon Theater in NYC. That was the last big rock and roll show I went to, and it was back in 1982 or 1983. There were about eight bands that came on before the Dead Kennedys, and they were all loud, obnoxious, and awful. It was great! The audience was nuts. If you can imagine stage divers in the Palace of Versailles, that would give you an idea of what it was like.

The most memorable band, other than the Dead Kennedys themselves, was a band that was all female except the singer, who was about 6'-8" tall and skinny as a rail. They were all decked out in army boots and the whole punk uniform of torn black everything. His schtick was to shade his eyes for a while and say "Can you turn down the lights? They are hurting my eyes." Then the band would launch into an indistinct thrash, and he would scream "aggravation" about ten times into the microphone and collapse onto the stage. When he got up, he would shed some clothing and it would start all over again. After about a ten minute set, if you could call it a set, he was down to a pair of sheer pink pantyhose, work boots, and nothing else. Then he dove into the audience and they were done.

That band was awful, but a 6'-8" guy in sheer pink pantyhose in front of a band of the toughest looking women you could ever hope to see was completely unique.
 
I'm a little bit Jelly of you my Queen. Naz is/was a highly underrated imho.

Nazareth at the Paramount would be an odd combination.

It's about as odd as seeing the Dead Kennedys at the Beacon Theater in NYC. That was the last big rock and roll show I went to, and it was back in 1982 or 1983. There were about eight bands that came on before the Dead Kennedys, and they were all loud, obnoxious, and awful. It was great! The audience was nuts. If you can imagine stage divers in the Palace of Versailles, that would give you an idea of what it was like.

The most memorable band, other than the Dead Kennedys themselves, was a band that was all female except the singer, who was about 6'-8" tall and skinny as a rail. They were all decked out in army boots and the whole punk uniform of torn black everything. His schtick was to shade his eyes for a while and say "Can you turn down the lights? They are hurting my eyes." Then the band would launch into an indistinct thrash, and he would scream "aggravation" about ten times into the microphone and collapse onto the stage. When he got up, he would shed some clothing and it would start all over again. After about a ten minute set, if you could call it a set, he was down to a pair of sheer pink pantyhose, work boots, and nothing else. Then he dove into the audience and they were done.

That band was awful, but a 6'-8" guy in sheer pink pantyhose in front of a band of the toughest looking women you could ever hope to see was completely unique.

I went to the show with a my buddy Jim Sadler he snapped this shot - He happened to post it on his FB page a year or so back. A Seattle band named Child opened for them, I met their bass player Lance Baumgatner about four years ago as a customer while at work, the night of the show he played a Rick 4001 and had a '76 Thunderbird as a backup (this was one of the first 'Birds I'd ever seen). While conversing with him I mentioned the ' Bird and recalled regretfully selling it - Been there!



Not my Pinto!


nazareth.jpg
 
Kinda sorta back on topic. The one thing I didn't like about the '15 is that the G string seemed to have a dead area. Almost like a 7ender. Can't have that. It's not a good thing to find when fingering a G string. I went there so you don't have to.

Anyway, it had DR Sunbeams on it, and I think I may not have folded the G sharply enough to keep the windings tight when I strung it with those strings. The latest experiment is Sadowsky flats. Yeah, I know flats on a 'Bird.... But I came up playing an EB-2 and play an upright string with a gut D and G, so I'm all about the thump. So far, it seems like the new strings may have solved the problem. Next step in sorting this thing is going to be lowering the pickups. Usually, you would raise them to solve a deadness problem, but the magnets are so strong that I think the pickups are damping the thin G string.

It just doesn't have the mass to defend itself. There's probably a Tom Waits song in there somewhere.
 
My first recollection of a Thunderbird on stage was in July of 1975 at the Civic Center in San Jose California, I had just graduated from the 10th grade and won tickets to a local concert on the KSJO or KOME radio show. The band on tour was Aerosmith And it was their Toys In the Attic Tour.

I remember the lead in on the song Sweet Emotion and being blown away by their bassist who was playing a really cool looking bass that wasn't shaped like anything from Fender that I had ever seen. Up until then the only Gibson basses I had noticed were the EB basses and some ES style hollowbody basses. I didn't take up bass playing until many years later but always had the desire in the back of my mind to rock a bird someday.

Here's a clip of Aerosmith playing Sweet Emotion at one of the venues on that tour in '75...


Aerosmith may have been my first as well, I saw them in Oct. '75 (REO Speedwagon and Ted Nugent opening) and do recall Hamilton playing a TBird back in those days.
 
Yes but Pete didn't last and was gone, I believe, before the first album was even released. He went on to form WAYsted which released at least one album and toured on it. I saw them open for Ozzy, I think it was, at Boston Garden.
Right then, my question was because he was not on that first record, which I still like, and my music-can friends still give me grief about. Lol, Dead-heads...
 
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I was thinking about various live shows and memories of them. I saw...maybe it was Candlebox at SOMA in San Diego with a Green Day clone called Watermelon opening. They were completely forgettable pop punk; I can't remember a single song or what they looked like. All I can remember is that they kept saying "Green Bay is in Wisconsin" due to considerable heckling from the crowd. No idea what happened to them, but whatever it was probably happened anonymously.
 
Pete Way update from his wife Jenny:
"Pete Way and I would like to thank you all for your messages, kind thoughts and prayers. Pete has been discharged today with a huge amount of medication with a plan to go back in a couple of weeks to have an electric shock put through his heart to get it to beat normally. They are unable to stabilize it with meds. If the shock treatment doesn't work (and we are praying it does) he may have to have an operation to repair a valve. Pete says "I must thank the staff at the Royal Bournemouth Hospital who treated me with such kindness - from the porters and paramedics to the nurses and doctors and all the staff at Ward 22. Nothing was too much trouble and they all had a cheery smile for me. I couldn't have asked for better care anywhere in the world. I would also like to thank my wife Jenny who has been my rock and, like the cancer, I'm sure I wouldn't have beaten it without her and, of course, you guys. I do believe in the power of prayer but, tbh, I really don't feel very well. Jenny won't let me life a finger so hopefully I will start to feel better after some home rest and cooking."
 
the first time I saw a Thunderbird in 1989) Nikki) Moscow piece festival

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Do you know what bass he's playing? It's not a Gibson or Epi, and it's got a P-J pickup configuration. The body looks thick, too. Not to mention one control knob and a Strat output jack. Oh, and the headstock. I like it but don't know what it is.