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Hi everyone. I've found a jazz or precision to sound way out of line when I jam with a singer/songwriter with their acoustic guitar at an open stage event. Now I was thinking to get something like an Ashbory or ukulele bass or something. Not only would the tone be nice, but also the small form factor. What would you recommend and why?
I was going to say the exact same thing, but you pretty much nailed it for the OP! If he's plugging in direct and is worried about not having control over his tone, he should be using preamp DI. Flat wounds are a huge step in the right direction as well. One thing I would add though is to possibly adjust pickup height… Especially if he is using a hotter precision pickup like a quarter pounder or something overwound.If it's mainly a tone thing, you should definitely check out a short scale (semi) hollow bass, like a Höfner, or the Guild that has been mentioned. With flat- or tapewound strings, you'll get a nice fundamental, thuddy/thumpy tone, almost like an upright bass.
But you can actually get pretty close to that by using flatwounds on your P bass, putting a piece of foam under the strings near the bridge, as a mute, and by picking the strings near me end of the fretboard. A Precision should work very well with acoustic guitars that way, if it's still too thin, turn down the tone pot quite a bit.
Oh, and if you have to plug directly in the PA often, I would invest in a bass preamp/DI, that will improve the tone a lot!
solid body really makes sense. the "acoustic" ones dont really get volume if unplugged.I gig occasionally with my Uke basses. All have metal flatwound strings and regular pickups. I would recommend a solid body Uke, like the new Kala or similar with the Galli flats. I think they work great, plenty of low end and it is like walking in with a mandolin but really sounds like a bass.
good point about the rubber strings. maybe really flat wounds would be the way to goA ukulele bass will probably sound bassy enough even with the most clueless of sound guys at the board.
However, its characteristic string complement (polyurethane strings) can be a little high-maintenance: they take some time to settle because they stretch a lot, they can be fragile, they can be sticky, they need resetting (because of their continuous stretching) every once in a while.
The kala solidbody is very well made for its price.
Plenty of acoustic acts employ some sort of standard electric bass. You're overthinking this. When you say "open stage", I'm guessing you mean an open mic situation. Nobody in the audience cares, and as others have pointed out, just keep your volume under control.Hi everyone. I've found a jazz or precision to sound way out of line when I jam with a singer/songwriter with their acoustic guitar at an open stage event. Now I was thinking to get something like an Ashbory or ukulele bass or something. Not only would the tone be nice, but also the small form factor. What would you recommend and why?
The Jazz Bass tone fits very nice in this one, probably with flatwounds:
